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Organic Representation as a Critical Media Approach to Leadership Studies in Popular Culture
New Directions for Student Leadership, Volume 2025, Issue 185, Page 75-80, Spring 2025.ABSTRACT This article applies the critical media concept of organic representation to leadership studies as an analytic of how various creators in popular culture today are not just writing inclusive storytelling but, more notably, modeling new modes of production and self‐presentation that are actively challenging hegemonic industry practices and ...
Raffi Sarkissian
wiley +1 more source
New Directions for Student Leadership, Volume 2025, Issue 185, Page 107-113, Spring 2025.ABSTRACT Popular culture exists as an expression of cultural history. It speaks to who we are, what we aspire toward, and where our generation stands in relation to the major issues of the day. This article is a conversation about the myriad perspectives offered in this issue of New Directions for Student Leadership, exploring the contributions each ...
Kathleen Callahan, Sean Connable
wiley +1 more source
İletişim Kuram ve Araştırma DergisiThis article expands the theoretical framework for film music analysis by examining the similarities and differences between film and video games through the lenses of ludomusicology, diegesis, and Flow theory.
Ersin Ertan
doaj +1 more source
, 2012 When the flame dies Composer - Ed Hughes Librettist - Roger Morris Video - Will Reynolds & Poppy Burton-Morgan With the voices of Andrew McIntosh (baritone); Lucy Williams (mezzo); Peter Kirk (tenor); Emily Phillips (soprano); Ben Williamson (counter ...
Hughes, Ed, Morris, R
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New Directions for Student Leadership, Volume 2025, Issue 185, Page 89-95, Spring 2025.ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford +2 more
wiley +1 more source
Analysis of the Music of Prestij Meselesi in the Context of Adorno’s Critical Sociology of Music
FilmvisioIn his article titled “Introduction to the Sociology of Music,” Theodor W. Adorno discusses critical music sociology, which involves gathering information about the social structures that leave an imprint on music and what is generally referred to as the
İbrahim Öksüz
doaj +1 more source
"Anything can happen" : narrative ambiguity and musical intertextuality in THE HOLIDAY [PDF]
, 2010 Romantic comedies are not renowned for intricate storytelling and have rarely been deemed worthy of the sustained scholarly attention of analytic ‘close readings’.
Fletcher, Jonathan
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Australian Journal of Public Administration, EarlyView.Abstract This Forum Article integrates a range of four contributions which are all underpinned by the conviction that the rediscovery of the humanities may be beneficial to the field of public administration. The first piece examines the contribution that philosophy, as a key discipline of the humanities, can provide to the field of public ...
Edoardo Ongaro +5 more
wiley +1 more source
Where Corporate Culture and Local Markets Meet. Music and Film Majors in the Netherlands, 1990-2005 [PDF]
, 2009 Since the 1980s, media and entertainment companies have developed into large cross-media multinationals. Their international structure, strategy and operation have been investigated extensively.
Kamp, M.C. (Miriam) van de
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Games and gamification projects in the Australian public sector
Australian Journal of Public Administration, EarlyView.Abstract This article surveys the arrival of gameful government into Australian public sector practice. Gameful government is a shorthand, descriptive term denoting the interpenetration of (video)games, and design elements and thinking from them, into public sector work.
David Threlfall, Catherine Althaus
wiley +1 more source