Results 201 to 210 of about 8,180 (263)
Rethinking Naturalistic Movie Neuroimaging Through Film Form. [PDF]
Behav Sci (Basel)Cao Z, Wang Y, Xiao X, Wang Y.
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Filming Music and Looking at Music Films
Ethnomusicology, 1988This is a revised version of the introductory and conclusive part of the Charles Seeger Memorial Lecture, presented 7 November 1987 at the Thirty-Second Annual Meeting of the Society for Ethnomusicology, at the Rackham School for Graduate Studies, University of Michigan, Ann Arbor.
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2023
Abstract Synchronization of music and image was achieved as early as 1894, and the quest for synchronization and its realization had long preceded the conversion to sound. “A history of film music II: 1927–70” looks at what happened after technologies in Europe and the United States allowed for a sound cinema and the response to sound ...
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Abstract Synchronization of music and image was achieved as early as 1894, and the quest for synchronization and its realization had long preceded the conversion to sound. “A history of film music II: 1927–70” looks at what happened after technologies in Europe and the United States allowed for a sound cinema and the response to sound ...
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British Film Music and Film Musicals
2007Description British film music is one of the unsung stars of British culture. British cinema should be most proud of it, and yet it barely receives a mention in scholarly or popular writing. Yet during the 1930s, British-made musicals, starring actors such as George Formby and Gracie Fields, were the most popular films seen by British audiences.
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2012
Abstract The article focuses on the specific historical contributions of filmed musicals and examines selected areas of intersection between stage and screen. The four significant domains of filmed musicals are mise-en-scène covering all aspects of the “look” within the film's frame that include setting, whether specially constructed or ...
Raymond Knapp, Mitchell Morris
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Abstract The article focuses on the specific historical contributions of filmed musicals and examines selected areas of intersection between stage and screen. The four significant domains of filmed musicals are mise-en-scène covering all aspects of the “look” within the film's frame that include setting, whether specially constructed or ...
Raymond Knapp, Mitchell Morris
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Film Music: A Very Short Introduction
2010Abstract Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music
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2001
This encyclopedic reference to the American movie musical identifies and describes the musicals and the artists who made them. Film entries range from the legendaryTheJazzSingerin 1927 toFantasia2000. Artists ranging from Gene Kelly to Elvis Presley, Busby Berkeley, and John Travolta are included, as are musicians as varied as Irving Berlin, Paul ...
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This encyclopedic reference to the American movie musical identifies and describes the musicals and the artists who made them. Film entries range from the legendaryTheJazzSingerin 1927 toFantasia2000. Artists ranging from Gene Kelly to Elvis Presley, Busby Berkeley, and John Travolta are included, as are musicians as varied as Irving Berlin, Paul ...
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Journal of Film Music, 2009
Originally published in Opera and Concert12, no. 8, August 1947. The composer reflects on construction and form in film music.
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Originally published in Opera and Concert12, no. 8, August 1947. The composer reflects on construction and form in film music.
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