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Locating Nollywood Film Music at the Intersection of Individualism and a Commodified Identity
Black Camera, 2020:This article specifically examines how individualism has shaped both the practice and cultural identity of film music in mainstream Nollywood since 1997.
E. Sylvanus
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Performing ethnicity in Nollywood film music: the power of texted music
Journal of Musical Arts in Africa, 2018The general assumption of this article is that ethnicity is constituted in both process and performance. The article discusses ethnicity in Nollywood film music by specifically examining the local film composers’ representative practice through which ...
E. Sylvanus
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Film music in advertising: An intertextual approach
Journal of Marketing Communications, 2018What can commercial advertisements gain from creative ‘borrowing’ of film music? One probable answer is that it vests the product advertised with a more powerful emotional impact. But what are the limitations of effective intertextuality between film and
Manuel Palencia-Lefler
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Filming Music and Looking at Music Films
Ethnomusicology, 1988This is a revised version of the introductory and conclusive part of the Charles Seeger Memorial Lecture, presented 7 November 1987 at the Thirty-Second Annual Meeting of the Society for Ethnomusicology, at the Rackham School for Graduate Studies, University of Michigan, Ann Arbor.
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British Film Music and Film Musicals
2007Description British film music is one of the unsung stars of British culture. British cinema should be most proud of it, and yet it barely receives a mention in scholarly or popular writing. Yet during the 1930s, British-made musicals, starring actors such as George Formby and Gracie Fields, were the most popular films seen by British audiences.
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FilmComposer: LLM-Driven Music Production for Silent Film Clips
Computer Vision and Pattern RecognitionIn this work, we implement music production for silent film clips using LLM-driven method. Given the strong professional demands of film music production, we propose the FilmComposer, simulating the actual workflows of professional musicians ...
Zhifeng Xie +4 more
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Tempo, 1946
George edwardes was a great man. He was not in any sense an artist, and was curiously insensitive to music, being unable to whistle correctly any of the tunes from his numerous successes. Some of the things he did to music were atrocious, for example the amputation of the opening music from Gypsy Love and the casting of Joe Coyne for the part of Prince
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George edwardes was a great man. He was not in any sense an artist, and was curiously insensitive to music, being unable to whistle correctly any of the tunes from his numerous successes. Some of the things he did to music were atrocious, for example the amputation of the opening music from Gypsy Love and the casting of Joe Coyne for the part of Prince
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2021
#1. Korean contemporary western style music for documentary film - composed by Mr. Jeong #2. Korean swing combo comprised of Koreans from Japan now in Korea for a visit - AFKN TV.
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#1. Korean contemporary western style music for documentary film - composed by Mr. Jeong #2. Korean swing combo comprised of Koreans from Japan now in Korea for a visit - AFKN TV.
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In Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned ...
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