Results 41 to 50 of about 258 (72)

„We wspólnym piekle”. Transnarodowość i nowy sposób prezentowania historii w czeskim kinie na przykładzie Malowanego ptaka Václava Marhoula [PDF]

open access: yes
The subject of this article is two aspects related to the film The Painted Bird (2019) by Czech director Václav Marhoul: the way history is depicted (in a way that is different from other Czech films after 1989), and the issue of transnationalism ...
Marta Maciejewska
core   +2 more sources

Błąd jako trik w kontekście fotografii i filmu [PDF]

open access: yes, 2017
The author considers the acceptance of an error by the author (creator) as a deliberate act of creating visual space. It is an error used as a trick in the context of the medium of photography and film.
Musiał, Janusz
core  

O Drive i Lacanowskim spojrzeniu w obliczu teorii Todda McGowana [PDF]

open access: yes
The main aim of the article is to present Nicolas Winding Refn’s Drive (2011) through Todd McGowan’s theory of Real gaze. Contrary to traditional Film Theory, based on the mirror-stage, McGowan examines the gaze in Lacanian film theory.
Szczepański, Jędrzej
core   +2 more sources

Jak robić w Polsce filmy, których nikt nie robi? Przypadek "Córek Dancingu" [PDF]

open access: yes, 2016
"The Lure" happened to be the most original fruit of the Polish cinema’s loins in 2015. Although it pushed the envelope as far as some only wished they could, this debut feature enjoyed little commercial success at the Polish box office.
Pohl, Paulina   +1 more
core   +1 more source

Comments on the Polish-Serbian and Serbian-Polish bibliography in 2015 [PDF]

open access: yes, 2016
The text explores the issue of Polish literature in Serbia and Serbian literature in Poland. Most of the translations that appeared in Serbia in 2015 were reprints of previous editions or new, contemporized translations of works already known in the ...
Sobalkowska, Estera
core  

Uwięzieni w środku Europy – dystopijne kino Béli Tarra [PDF]

open access: yes, 2010
The article explores the theme of dystopia in the cinema of Béla Tarr. The interpretations offered here focus on his three works: Damnation (1989), Sátántangó (1994) and Werckmeister Harmonies (2000).
Bartczak, Magda
core   +1 more source

Wizerunek „Solidarności” w polskim kinie fabularnym po 1989 roku [PDF]

open access: yes, 2017
In the first part of the text, the author tries to answer the question why the history and the victory of the Solidarity movement in the 1980s – one of the most important events in the contemporary history of Europe – is very rare in the Polish cinema ...
Weiher-Sitkiewicz, Krystyna
core   +1 more source

Przepisywanie PRL-u. Strategie przywoływania przeszłości w najnowszym kinie polskim [PDF]

open access: yes
Interest in the memory of the Polish People’s Republic and the ways it is articulated is constantly increasing. The number of films and series set in the communist era is growing. There is also a significant drive to rewrite the past of the Polish People’
Żyto, Kamila
core   +1 more source

Spaghetti western. Charakterystyka gatunku na tle historycznofilmowym [PDF]

open access: yes, 2018
Dysertacja jest pierwszą polską monografią spaghetti westernu (czyli europejskiego westernu, powstającego głównie w Hiszpanii i Włoszech w latach 60-tych i 70-tych XX wieku). W pracy dokonywana jest relokacja spaghetti westernu i proponowane jest szersze
Szczęsny, Tomasz
core  

Bardziej ludzcy niż ludzie : cyborgi - androidy - replikanci [PDF]

open access: yes, 2015
Donna Haraway in A Cyborg Manifesto states: “By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs.” Contemporary novels, movies, TV series or ...
Marcela, Mikołaj
core  

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