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Shape‐Configurable MXene‐Based Thermoacoustic Loudspeakers with Tunable Sound Directivity
Advances in Materials, 2023Film‐type shape‐configurable speakers with tunable sound directivity are in high demand for wearable electronics. Flexible, thin thermoacoustic (TA) loudspeakers—which are free from bulky vibrating diaphragms—show promise in this regard.
Jinyoung Kim +12 more
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Music and Sound in Silent Film: From the Nickelodeon to The Artist
Historical Journal of Film, Radio and Television, 2019A new wave of silent cinema music research emerged in the last years, mostly inspired and motivated by Rick Altman's seminal study Silent Film Sound (2004): Julie Brown and Annette Davison: The Sou...
Claus Tieber
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Sound mixing system for film sound editing
The Journal of the Acoustical Society of America, 1987A separately packaged film sound editor mixer is disclosed which includes a plurality of low level audio signal input terminals adapted for connection to outputs from playback heads of a synchronizer. Magnetic tape preamplifiers are included for preamplification of the low level signals.
James W. Hill, Eugene N. Finley
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Nanotechnology, 2018
We investigated the acoustic performance of electrostatic sound-generating devices consisting of bi-layer graphene on polyimide film. The total sound pressure level (SPL) of the sound generated from the devices was measured as a function of source ...
Kyoung-Ryul Lee, S. Jang, I. Jung
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We investigated the acoustic performance of electrostatic sound-generating devices consisting of bi-layer graphene on polyimide film. The total sound pressure level (SPL) of the sound generated from the devices was measured as a function of source ...
Kyoung-Ryul Lee, S. Jang, I. Jung
semanticscholar +1 more source
2018
Chapter 1 focuses on writings in the French press by filmmakers, composers, and critics about sound film and its arrival in France. From sound film’s first successes in Hollywood, French critics paid careful attention to the new technology, and they wrote prolifically and prescriptively about how they believed the French film industry should respond to
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Chapter 1 focuses on writings in the French press by filmmakers, composers, and critics about sound film and its arrival in France. From sound film’s first successes in Hollywood, French critics paid careful attention to the new technology, and they wrote prolifically and prescriptively about how they believed the French film industry should respond to
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2019
This chapter is focused on the philosophy of film sound in the analytic tradition and its limitations; drawing from current literature in other fields, it aims to complement some philosophical discussions typically centered on the image with their aural counterparts. Firstly, it provides an overview of early skeptical views on the contribution of sound
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This chapter is focused on the philosophy of film sound in the analytic tradition and its limitations; drawing from current literature in other fields, it aims to complement some philosophical discussions typically centered on the image with their aural counterparts. Firstly, it provides an overview of early skeptical views on the contribution of sound
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2013
Abstract This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film sound has been recruited to the à voir, the ‘to-be-seen’ in an appropriation of the audible into the visible.
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Abstract This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film sound has been recruited to the à voir, the ‘to-be-seen’ in an appropriation of the audible into the visible.
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2022
This master’s thesis investigates the phenomenon of acousmatic sound in light of its role in fictional films as a means of perceptual manipulation. It provides insight into the innovative ways in which sound that is detached from its visual source can have an impact on perception, and which consequences this has in respect to cognitive processes.
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This master’s thesis investigates the phenomenon of acousmatic sound in light of its role in fictional films as a means of perceptual manipulation. It provides insight into the innovative ways in which sound that is detached from its visual source can have an impact on perception, and which consequences this has in respect to cognitive processes.
openaire +1 more source
Journal of the Society of Motion Picture Engineers, 1948
An analysis of both hand-drawn and machine-made sound tracks is presented together with methods. — Of fundamental importance is the fact that synthetic sound tracks for the first time enable a composer to hear his composition as written rather than through artists' interpretation.
Robert E. Lewis, Norman McLaren
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An analysis of both hand-drawn and machine-made sound tracks is presented together with methods. — Of fundamental importance is the fact that synthetic sound tracks for the first time enable a composer to hear his composition as written rather than through artists' interpretation.
Robert E. Lewis, Norman McLaren
openaire +1 more source