Results 11 to 20 of about 1,038,516 (299)
In this paper, we consider a unique period in the development of Soviet cinema, from 1928 to 1932, when the Geographical and Ethnographic Cinema-Atlas project was underway.
GOLOVNEVA ELENA V. / ГОЛОВНЕВА Е.В. +1 more
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Kracauer's Theory of History and Film
Reading Siegfried Kracauer’s letters and texts in which he discusses his own efforts it becomes clear that he has a consistent interest in philosophy and also considers himself a philosopher.
Koch, Gertrud
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Bringing bodies back in: for a phenomenological and psychoanalytic film criticism of embodied cultural identity [PDF]
This article reassesses the concept of identification in line with the increased importance phenomenology has taken on in film-philosophy of the 1990s and 2000s. In the 1970s and 1980s, a Lacanian psychoanalytic interpretation of identification dominated
Ince, Kate
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The Interplay of Silence, Diegetic Sound and Music in Contemporary German Cinema [PDF]
Scholarly works on film sound are vastly outnumbered by works on film visual aspects. One reason for this discrepancy lies in the “hegemony of the visual”.
Aljoša Zovko
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Hybrid $\mathbf{k\cdot p}$-tight-binding model for intersubband optics in atomically thin InSe films [PDF]
We propose atomic films of n-doped $\gamma$-InSe as a platform for intersubband optics in the infrared (IR) and far infrared (FIR) range, coupled to out-of-plane polarized light.
Ceferino, Adrian +3 more
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While popular psychology and appeals to emotion have unfortunately dominated discussions of ‘sex trafficking’, this article suggests that feminist psychoanalytic film theory and theories of affect are still useful for making sense of the appeal of ...
Nicholas de Villiers
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Vachel Lindsay’s Visionary Theoretical Reflections on Film
Although neglected for decades, American poet, journalist, and painter Nicholas Vachel Lindsay (1879-1931) made a significant contribution to the rising film theory with his book The Art of The Moving Picture, the first American study of a kind ...
Srebrenka Mačković
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This paper examines the ideological and theoretical roots of a long-term quarrel between the intellectual criticism and the French University. The inquiry starts with recent statements and papers from French critics, such as the issue 698 of the Cahiers ...
Mathias Kusnierz
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Edgar Morin et les théories sociales du cinéma en France
Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to ...
Valérie Vignaux
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Filmowość Marii Antoniego Malczewskiego
The aim of this article is to analyse the poetics of Antoni Malczewski’s Maria in terms of its cinematic qualities. The author uses various film theories, including those formulated by Siegfried Kracauer, Béla Balázs and Jean Mitry, in order to ...
Wojciech Sławnikowski
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