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Film Theory

The Year's Work in Critical and Cultural Theory
Abstract This article reviews the year’s work in film theory publications from the perspective of ‘film theory without theory’, especially considering the so-called ‘material’ or ‘cinephiliac’ turns in film studies. It specifically reviews five recent publications and is thus divided into five sections.
Robert Lapsley, Michael Westlake
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Film Theory

2011
I come to the subject of this book from a very different path than most of those thinking about the use of computers in educational environments. My formal education focused originally on literature and film studies, and film production at the University of California at Berkeley, San Francisco State University, and the University of California at Los ...
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Film Theory/Film History

2012
saggi in memoria di Miriam Hansen sugli aspetti più significativi della'attuale panorama dei film e media ...
ALONGE, Andrea   +1 more
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Feminist Film Theory

2017
Feminist theory has been foundational to the establishment and development of film studies as a discipline. Although it often gets reduced to key theoretical—primarily psychoanalytic—analyses of spectatorship from the 1970s and 1980s, it has always been and continues to be a dynamic area with many objects of focus and diverse methodological practices ...
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Feminist Film Theory

2016
Feminist film theorists have used psychoanalysis to examine how the male and female viewer relates to film. Laura Mulvey’s 1974 essay ‘Visual Pleasure and Narrative Cinema’ is used by theorists as a basis for developing ideas around issues of the spectator’s gender.
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Film as Art: From Art Theory to Film Theory

Scientific and Social Research
This article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on.
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