Results 41 to 50 of about 14,936 (219)

‘DIE WISSEN ALLE NOCH NICHT, WER DU BIST’: BODY NARRATIVE AND TRANS EMBODIMENT IN SABINE BERNARDI'S ROMEOS (2011)

open access: yesGerman Life and Letters, Volume 79, Issue 2, Page 184-202, April 2026.
Abstract This article examines the narrative structure of Romeos (Sabine Bernardi, 2011) through the lens of body narrative. While traditional body narrative emphasises the felt discomfort of being trapped in the ‘wrong body’, Romeos challenges this essentialist framework by foregrounding Lukas's trans identification and trans masculinities through an ...
Mingyuan Wan
wiley   +1 more source

Maschilità decadenti. La lunga fin de siècle. Ed. by Marco Pustianaz and Luisa Villa

open access: yesIperstoria, 2007
Review of Maschilità decadenti. La lunga fin de siècle ed.
Sara Incarnato
doaj   +1 more source

EIGENSINN AND DOMINATION IN LIBERAL AND ILLIBERAL SOCIETIES

open access: yesHistory and Theory, Volume 65, Issue 1, Page 32-57, March 2026.
ABSTRACT This article is a posthumously published text that was written by Alf Lüdtke and Alexandra Oeser but was left unfinished when Lüdtke died in February 2019. It examines two central notions—and their articulations—that Lüdtke and Oeser use differently in their work: domination and Eigensinn. On domination, it focuses on perspectives of Max Weber'
Alf Lüdtke, Alexandra Oeser
wiley   +1 more source

Le site laténien de Dautovac - Korićani et les fibules ornées de "boucles" ou de "huit" - "à brandebourgs" [PDF]

open access: yesStarinar, 2002
(francuski) Lors de sondages sur le site de Dautovac, près de Kragujevac, on a mis au jour un matériel archéologique appartenant à un habitat ouvert de la période de La Tène, daté de la fin du II ème et du Ier siècle av. n. è.
Popović Petar D.
doaj   +1 more source

Mills and society in early medieval northern Italy

open access: yesEarly Medieval Europe, Volume 34, Issue 1, Page 3-33, February 2026.
Drawing on the extensive documentary record of northern Italy, available archaeological evidence, and comparative case studies from early medieval Europe, this study demonstrates that mill‐based landscapes in the Po and Friuli‐Venetian plains were shaped by society as a whole.
Marco Panato
wiley   +1 more source

A área cinzenta: Ibsen e o espírito do capitalismo

open access: yesLiteratura e Sociedade, 2011
O autor mostra como a moralidade flexível e os imperativos capitalistas do fin-de-siècle burguês são apreendidos nas más ações dos protagonistas de Ibsen.
Franco Moretti
doaj   +1 more source

PERIPHERY TO CENTRE STAGE: THE SARRASANI CIRCUS IN WEIMAR GERMANY

open access: yesGerman Life and Letters, Volume 79, Issue 1, Page 16-36, January 2026.
ABSTRACT The modern European circus was more than just entertainment: it was a powerful platform where fantasies of empire, ideas of national identity, and notions of racial difference came together and were put on public display. In interwar Germany, the Sarrasani Circus — the largest circus enterprise in the country at the time — built on the legacy ...
Sabine Hanke
wiley   +1 more source

Presentación

open access: yesInter Litteras, 2022
Presentación del dossier “Futuros Pasados en la literatura del siglo XIX: del Romanticismo al fin de siècle”.
Carolina Ramallo, Jerónimo Ledesma
doaj  

The Courtroom Sketch: Journalism and Justice in Literaturnaia gazeta

open access: yesThe Russian Review, Volume 85, Issue 1, Page 52-68, January 2026.
Abstract In the decades following Stalin’s death, the newspaper Literaturnaia gazeta shaped Soviet legal culture through the genre of the courtroom sketch (sudebnyi ocherk), a blend of fact‐based reportage, personal memoir, literary narration, and social commentary aimed at the task of working through thorny questions of morality and legality.
Rebecca Reich
wiley   +1 more source

‘A canary is supposed to sit in a cage and look at someone else's happiness’: Domestic rewilding in fin‐de‐siècle St Petersburg

open access: yesArea, Volume 57, Issue 4, December 2025.
Short Abstract In this paper, I suggest a new way of looking at the aesthetically motivated invitation of the putative wild into the inner sanctum of human artifice, the domestic sphere. I argue that the paradoxes of what I call “domestic rewilding” deserve particular attention, as they reveal the aesthetic and political preoccupations motivating such ...
Olga Petri
wiley   +1 more source

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