Results 1 to 10 of about 138,830 (168)

Plants as Symbols of Power in the Achaemenid Iconography of Ancient Persian Monuments [PDF]

open access: yesPlants, 2023
The art of the Achaemenid Empire flourished in Ancient Persia from the 6th to 4th centuries BCE, and featured stone-carved monumental structures adorned with recurring zoological and floral patterns.
Giulia Caneva   +2 more
doaj   +2 more sources

Are microbes growing on flowers evil? Effects of old flower microbes on fruit set in a wild ginger with one-day flowers, Alpinia japonica (Zingiberaceae) [PDF]

open access: yesMetabarcoding and Metagenomics, 2022
Flowers are colonized and inhabited by diverse microbes. Flowers have various mechanisms to suppress microbial growth, such as flower volatiles, reactive oxygen and secondary compounds.
Nuria Jiménez Elvira   +2 more
doaj   +6 more sources

Study of Semantic Deviation in the Collection of The Flowers of Evil and Persian Translations [PDF]

open access: yesپژوهش‌نامۀ انتقادی متون و برنامه‌های علوم انسانی, 2020
Semantic deviation means the transgression of the criteria that determines the coincidence of the vocabularies and avoiding the standard of language.
Mina Rezaei   +2 more
doaj   +2 more sources

Flowers of evil. Fleurs du Mal in Pattern and Prose, by Beresford Egan and C. Bower Alcock

open access: yesCarnets, 2021
Flowers of Evil, by Baudelaire, were the subject, in 1929, of a free translation, in prose, by Caterina Bower Alcock, illustrated by Beresford Egan. This translation and its refined layout are indicative of Baudelaire’s image as a master of decadent ...
Aurélia Cervoni
doaj   +2 more sources

The imago image of ‘flowers of evil’: from Charles Baudelaire to Joris-Karl Huysmans

open access: yesСлово.ру: балтийский акцент
This article examines the image of 'flowers of evil' as an imago image — an imaginary image of a real object. The term 'imago' was first used in this sense by Carl Jung in 1912. The work proposes a novel approach to investigating the image of 'flowers of
Svetlana G. Gorbovskaya
doaj   +2 more sources

LONELINESS AND ALIENATION IN FRANCE DURING THE NINETEENTH CENTURY. A READING FROM “THE FLOWERS OF EVIL”

open access: yesPensamiento Palabra y Obra, 2015
En este artículo se analiza, a partir de la colección de poemas del escritor francés Charles Baudelaire titulado Las flores del mal, los efectos del desarrollo y consolidación de la Revolución industrial durante el siglo XIX en la vida cotidiana de los ...
Nilson Javier Ibagón Martín
doaj   +2 more sources

The Interweaving of Life and Text. Authorial Inscription and Readerly Self-Understanding Exemplified in Les Fleurs du mal [PDF]

open access: yesPhainomena, 2022
The present article attempts to make explicit the existential dimension of a canonical literary text: Baudelaire’s The Flowers of Evil. This work is chosen because it transmits a series of disturbing existential assertions; that is, it is used, in the ...
Julio Jensen
doaj   +1 more source

Arseny Alving’s late translations from Charles Baudelaire [PDF]

open access: yesЛитературный факт, 2018
For the first time, an article “Charles Baudelaire” (1930) by A.A. Smirnov-Alving (1885–1942) and his late translations of thirteen poems from “The Flowers of Evil” are published.
Vladimir Nekhotin, Vladislav Rezvy
doaj   +1 more source

« J’ai achevé un monument plus durable que l’airain » : le temple des images de Charles Baudelaire

open access: yesRevue Italienne d'Etudes Françaises, 2022
In his handwritten notes, Benveniste advocates a specific epistemological approach to Baudelaire’s poetry, consisting in the analysis of his poetic universe through the “revealing choice” of words and the “articulation” of certain images.
Federica Locatelli
doaj   +1 more source

META-MORFUL – CONSTRUCT AL IMAGINARULUI FANTASTIC ELIADESC / THE META-MORPHUS – CONSTRUCT OF THE FANTASTIC ELIADESCIAN IMAGINARY [PDF]

open access: yesIncursiuni în imaginar, 2022
Romanian folklore and its fundamental myths have aroused a real interest both for the researcher in the field of the history of religions and for the writer.
Liliana Danciu
doaj   +1 more source

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