Results 71 to 80 of about 2,274 (197)
Využívanie folklórnych motívov v súčasnom tanci
This paper is based on a bachelor thesis which had the aim of showing the implementation of folk motifs in other types of dances apart from the folk dance styles, namely in the professional dance form of the latest demonstration of movement - in ...
Denisa Benčaťová
doaj
ABSTRACT From its very inception, the Jewish National Movement Hibbat Zion turned to the collective past to advance its goals in the present. One of their activities was to reinterpret Jewish holidays and festivals, especially those that did not take a central place in the Jewish calendar.
Asaf Yedidya
wiley +1 more source
Rahvatantsuharrastusega seotud kultuuri- ja suurpeod väljaspool Eestit [PDF]
This article is primarily focused on the Estonians and how they have preserved their culture while living in both their home land and in foreign communities abroad. Estonian folklore is at the heart of Estonian culture.
Angela Arraste +2 more
doaj
Responsibly Navigating Social Practices
Journal of Social Philosophy, EarlyView.
Jules Holroyd, Lel Jones
wiley +1 more source
Staging the Semahs: Performing Aleviness in Turkey and Europe
ABSTRACT The semah, a genre of music and movement practices imbued with values of gender, class, age and ethical egalitarianism, lies at the core of the Alevis' ayn‐i cem rituals. Since the 1970s, processes of urbanisation, migration, folklore production and heritage‐making have facilitated the circulation of semah beyond ritual contexts, particularly ...
Sinibaldo De Rosa
wiley +1 more source
Abstract Postcolonial textbook research leads us to reflect on the representation of (post)colonial communities in educational media for adolescents in geography education. This paper contributes to this scholarship through Critical Discourse Analysis tracing how nine Dutch geography textbooks (1946–2018) have represented such communities from ...
Marthe Wierenga, Dietha Koster
wiley +1 more source
Parallel Traditions: State Folk Dance Ensembles and Folk Dance in “The Field”
In the 1950s, the world saw the birth, growth, and development of a new dance genre, the choreographic creations of the professional state folk dance ensemble (1). The genesis of what became a worldwide phenomenon of professional, semi-professional and amateur folk dance ensembles, with the notable exception of the capitalistic Western powers and Japan,
openaire +2 more sources
Abstract This manuscript documents a systematic ethnomycological analysis of ethnographic archives. Focusing on texts describing human–fungi interactions, I conduct a global, cross‐cultural review of mushroom use, covering 193 societies worldwide. The study reveals diverse mushroom‐related cultural practices, emphasizing the significance of fungi ...
Roope O. Kaaronen
wiley +1 more source
Abstract Society generally presents sex inaccurately as a binary variable based on one or few trait(s), causing myriad issues, including the pursuit of reductionist biology experiments, the creation of laws that limit the rights of women, people with queer genders, and intersex folks, and greater student endorsement of gender stereotypes in ...
Emily P. Driessen +4 more
wiley +1 more source
The Role of Informants and Archive Films in the Hungarian Folk Dance Revival Movement
The Hungarian táncház [dance house] movement revolutionised the revival of traditional folk dances in urban contexts. This study examines the role of adatközlők [informants], master–disciple relationships, and archival film recordings as reference ...
Anna Janku
doaj +1 more source

