Results 281 to 290 of about 1,655,495 (352)
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Posthuman Aesthetics and Indigenous Knowledge: Elunchun Folk Songs in Contemporary Music Education
Journal of PosthumanismThis study explores the posthuman and pedagogical potential of Elunchun folk songs—an Indigenous musical tradition rooted in the forested ecologies of Northeast China—as a means of fostering aesthetic awareness, cultural empathy, and relational learning ...
Lili Yan +3 more
semanticscholar +1 more source
Journal of research in music education, 2023
The purpose of this survey study was to investigate the self-reported practices of P–6 elementary general music teachers (N = 275) regarding their experiences with American folk songs with racist origins. A secondary purpose was to examine P–6 elementary
Ian Cicco
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The purpose of this survey study was to investigate the self-reported practices of P–6 elementary general music teachers (N = 275) regarding their experiences with American folk songs with racist origins. A secondary purpose was to examine P–6 elementary
Ian Cicco
semanticscholar +1 more source
Journal of the International Folk Music Council, 1947
The folk-lore of French Canada is too vast and varied to lend itself to summary treatment. Its hoard, whether amassed and centralized or still awaiting the harvester, is so rich in cultural traits, in traditional narratives, pictorial patterns, tunes, and verse-forms, that it cannot be rendered by mere statistics and and chapter-heads.
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The folk-lore of French Canada is too vast and varied to lend itself to summary treatment. Its hoard, whether amassed and centralized or still awaiting the harvester, is so rich in cultural traits, in traditional narratives, pictorial patterns, tunes, and verse-forms, that it cannot be rendered by mere statistics and and chapter-heads.
openaire +1 more source
Ethnomusicological Insights into the Sociocultural Dynamics of Folk Songs in Southern Shaanxi, China
The Oriental Anthropologist: A Bi-annual International Journal of the Science of ManThis study investigates the musical characteristics and development of Zhenba and Ziyang folk songs in Southern Shaanxi. Through literature review and field research, we identified four folk song genres—shange, haozi, xiaodiao, and custom songs—primarily
Yang Wang, Awirut Thotham
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2025 International Conference on Digital Analysis and Processing, Intelligent Computation (DAPIC)
Anhui folk songs are an important part of Chinese traditional music, with unique melodic, rhythmic and tonal characteristics, carrying rich regional culture and historical connotations.
Sihui Yang, Yan Li
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Anhui folk songs are an important part of Chinese traditional music, with unique melodic, rhythmic and tonal characteristics, carrying rich regional culture and historical connotations.
Sihui Yang, Yan Li
semanticscholar +1 more source
Journal of Education and Educational Research, 2023
The Qiang ethnic group is a long-standing ethnic group in China, and its historical changes, religious beliefs, customs, and customs have great research value. Qiang folk songs are a vivid display of their ethnic customs and living customs.
Jiajie Xiang +5 more
semanticscholar +1 more source
The Qiang ethnic group is a long-standing ethnic group in China, and its historical changes, religious beliefs, customs, and customs have great research value. Qiang folk songs are a vivid display of their ethnic customs and living customs.
Jiajie Xiang +5 more
semanticscholar +1 more source
Music Literacy in the Preservation of Inner Mongolian Wedding Folk Songs
International Journal of Education and Literacy StudiesInner Mongolian wedding folk songs are vital to the region’s intangible cultural heritage, reflecting the Mongolian people’s history, values, and traditions. This study investigates music literacy in the preservation of Inner Mongolian wedding folk songs.
Wei Wang +2 more
semanticscholar +1 more source
Literacy Transmission of Chinese Folk Songs in Southern Shaanxi
International Journal of Education and Literacy StudiesSouthern Shaanxi, rich in folk song culture, faces significant challenges in preserving its musical heritage due to rapid modernization, technological advancements, and social changes.
Yang Wang, Awirut Thotham
semanticscholar +1 more source