Results 11 to 20 of about 11,060 (203)
Folksong is not Poetry: Advocating for a Non-Modular Theory of Text-Setting in Folksong
Études Britanniques Contemporaines, 2010 The most widely accepted theory of text-setting up to date supports a view of song as a composite which combines a linguistic object—text—and a musical object—tune—with independent metrical structures regulated by different sets of constraints.
Rosalía Rodríguez-Vázquez
doaj +2 more sources
Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise. [PDF]
Ann N Y Acad SciThis study compares rhythm processing under two conditions—high pitch predictability (tonal music) and low pitch predictability (atonal music)—while keeping the temporal information of the stimuli constant. More predictable pitch is associated with better behavioral rhythm tracking (finger‐tapping) and decreased cortical rhythm tracking, potentially ...
Keitel A +8 more
europepmc +2 more sources
, 2008 Performance of reconstructed folksong arrangements with Catherine Bott and Shirley ...
Collins, D. (arranger) +3 more
core +5 more sources
Journal of Consumer Affairs, Volume 57, Issue 1, Page 36-68, Spring 2023., 2023 Abstract A growing body of literature is focused on subsistence markets and how marketing interventions can increase well‐being for those whose daily existence is a struggle to ensure access to necessities of life. To understand the lifeworld of those living at the subsistence level, interviews are favored as a data collection tool. This methodological
Sujit Raghunathrao Jagadale +1 more
wiley +1 more source
Embodying dependency: Caribbean godna (tattoos) as female subordination and resistance
The Journal of Latin American and Caribbean Anthropology, Volume 27, Issue 4, Page 601-612, December 2022., 2022 Abstract A tattoo has not one but multiple meanings, depending on the person and interpretations within a sociocultural context. To demonstrate, this article focuses on tattoo marks labeled godna in Suriname and Guyana and on their related tattooing practices.
Sinah Theres Kloß
wiley +1 more source
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900
German Life and Letters, Volume 75, Issue 3, Page 410-429, July 2022., 2022 ABSTRACT Retrospective accounts of the life and works of Robert Burns offer us examples of how ‘genius’ functioned in the nineteenth century, not only as a concept of inspired, natural authorship but also as a way of establishing and stabilising class identity and belonging.
Paul Keckeis
wiley +1 more source
German Life and Letters, Volume 74, Issue 2, Page 166-182, April 2021., 2021 ABSTRACT This article argues for a new approach to war and politics in Arnim and Brentano's Romantic poetry anthology Des Knaben Wunderhorn. It departs from previous Wunderhorn scholarship by considering the collection's three volumes individually, and paying attention to the different political circumstances of the two phases of its creation, 1805 and
Ellen Pilsworth
wiley +1 more source
I Cannot Sing You Here, But For Songs of Where: Contemporary Alt-folksong and Articulations of Place [PDF]
, 2014 This practice-based research questions the potential defining characteristics and status of contemporary alt-folksong and its role(s) in the articulation of place through a collection of twelve original songs with accompanying written research.
Lamb, John R. B.
core +3 more sources
Genrefication of Slovenian Folksongs: A Reflection, or Views on Their Development
Traditiones, 2010 V prispevku sta ob pregledu oblikovanja tipologije slovenskih ljudskih pesmi analizirana razvoj slovenske folkloristične misli in orientacija slovenske folkloristike. Vprašanje zvrstnosti slovenskih ljudskih pesmi je poudarjeno kot vprašanje prioritet, s
Marija Klobčar
doaj +1 more source
Johannes Brahms’s Horn Trio and Its Unique Place in the Chamber Music Repertoire
Musical Offerings, 2021 The purpose of this research is to explore the elements in Brahms’s Trio for Piano, Violin, and Horn in E-flat Major, op. 40, that contribute to its unique position in the vast and revered library of chamber music. These include Brahms's use of folksong,
Chloë A. Sodonis
doaj +1 more source