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Form and Formalism in Music [PDF]
Proceedings of the Musical Association, 1897 The Chairman.—Before I call upon Mr. Hadow to read his paper, I wish to say a few words of respect to the memory of our late friend and member, Mr. Banister, who was regular in his attendance at the meetings of the Association and took a deep interest in its welfare. He was in many ways a remarkable man, and one who has left his mark on the profession,
W. H. Hadow
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University of Toronto Law Journal, 2011 Though apparently dead and buried for decades, formalist approaches to law appear to be gaining ground within the academy. This advance, however, has been strongly resisted by proponents of the alternative, functionalist, view. To many of them, formalism seems open to devastating, and indeed obvious, criticisms.
Allan Beever
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Eduard Hanslick's formalism and his most influential contemporary critics [PDF]
Belgrade Philosophical Annual, 2014 The paper deals with the formalistic view on music presented in Eduard Hanslick's treatise On the Musically Beautiful, which is taken to be the founding work of the aesthtetics of music.
Srećković Sanja
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Rethinking Hanslick: Music, Formalism, and Expression
, 2013 An innovative and incisive reassessment of a seminal figure in nineteenth-century musical life, through a fresh consideration of his aesthetic, critical, and autobiographical writings. Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century ...
Nicole Grimes +2 more
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Beyond Wittgenstein’s musical formalism [PDF]
130 years Ludwig Wittgenstein (1889-2019) - Conference Proceedings, 2020 In his scattered remarks on music, Wittgenstein adopts a rule-based account of musical understanding also known as musical formalism. This is the view that understanding a piece of music does not presuppose matching the musical sequence with one’s own ...
Marina Bakalova
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Journal of Creative Music Systems, 2018 Musical gestures connect the symbolic layer of the score to the physical layer of sound. I focus here on the mathematical theory of musical gestures, and I propose its generalization to include braids and knots.
Maria Mannone
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On Hanslick's Supposed Formalism in Music
The Journal of Aesthetics and Art Criticism, 1967 Robert W. Hall
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Musical Offerings, 2018 In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories ...
Amanda N. Staufer
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Historical Formalism in Music: Toward a Philosophical Theory of Musical Form
Contemporary Aesthetics, 2014 In this paper I begin to fashion a theory of musical form that I call historical formalism. Historical formalism posits that our perception of the formal properties of a musical work is informed by considerations not only of artistic categories but also
Andrea Baldini
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Musical Formalism and Political Performances
Contemporary Aesthetics, 2009 Musical formalism, which strictly limits the type of thing any description of the music can tell us, is ill-equipped to account for contemporary performance practice.
Jonathan A. Neufeld
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