Results 11 to 20 of about 779,296 (256)
Fission and Fusion: From improvisation to formalism in law and music
Desmond Manderson
openalex +3 more sources
Music and Aesthetic Reality: Formalism and the Limits of Description
Nick Zangwill
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Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism
The article explores the reasons behind the inconsistency of Kant's perspective on the art of music. Kant’s aesthetics is a strict and harmonious system underpinning the analysis of aesthetic consciousness.
Tatyana P. Razbeglova
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Abstract Fractal fluctuations are a core concept for inquiries into human behavior and cognition from a dynamic systems perspective. Here, we present a generalized variance method for multivariate detrended fluctuation analysis (mvDFA). The advantage of this extension is that it can be applied to multivariate time series and considers intercorrelation ...
Sebastian Wallot +5 more
wiley +1 more source
An Introduction to Predictive Processing Models of Perception and Decision‐Making
Abstract The predictive processing framework includes a broad set of ideas, which might be articulated and developed in a variety of ways, concerning how the brain may leverage predictive models when implementing perception, cognition, decision‐making, and motor control.
Mark Sprevak, Ryan Smith
wiley +1 more source
Exploring Sonic Meaning and Embodiment in Human Cultural Transmission From a Pedagogical Perspective
The authors explore how sonic materials, specifically everyday sounds and songs, create and communicate personal, sociocultural, and ecological meanings. From the lulling passages of a pastoral movement streaming through a symphony hall to the rollicking
Rebecca Rinsema, Jashen Edwards
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Formalistic analysis of the three domains of language, music and aesthetics in "Arghavan" a poem by Hushang Ebtehaj [PDF]
Based on the formalism school, the discovery of the beauty of a text, or so-called "text literacy", is one of the most important issues to be considered in the critique of a literary work.
mohsen zolfaghary +2 more
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During collective musical performances over the network that are characterized by improvisation, a performer may face the problem of what connected musician to follow most in order to direct his/her own improvisation.
Maria Mannone, Luca Turchet
semanticscholar +1 more source

