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The Values of Musical "Formalism"
Journal of Aesthetic Education, 1991speak of musical expression, he reasoned; two ways in which feeling terms are commonly applied to musical experience. One construes expression as a designative or associative affair, and insofar as the feelings with which it is concerned are not strictly implicated by perception of the musical object, it is not truly musical.
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Formalized and Non-formalized Expression in Musical Interfaces
2008Many musical interfaces are designed to enable musical expression. In this process it is the task of the interface to generate data transmitting the expressivity of the performer’s gestures to the synthesis engine. The instrument has to be open or transparent to the performers actions.
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Relative Musical Pitch in Formal Definition
2021This research is dedicated to the category of relative musical pitch and its objects such as tones, intervals, interval structures, and systems. Objects of relative pitch are considered as necessarily existing in their systemic unity. The study introduces the concept of structural-pitch organization (SPO), an object that signifies the unity of objects ...
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2016
Müziğin doğasını daha iyi anlamak amacıyla oluşturulan felsefi tartışmalar sonucu, birçok yeni bakış açısı ve doktrin ortaya çıkmıştır. Temelleri Eduard Hanslick tarafından atılmış olan Müzikal Biçimcilik öğretisi de bunlardan bir tanesidir. Bu makalede, Müzikal Biçimcilik görüşü ana hatlarıyla açıklanacak ve bu öğretinin iki önemli temsilcisi Eduard ...
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Müziğin doğasını daha iyi anlamak amacıyla oluşturulan felsefi tartışmalar sonucu, birçok yeni bakış açısı ve doktrin ortaya çıkmıştır. Temelleri Eduard Hanslick tarafından atılmış olan Müzikal Biçimcilik öğretisi de bunlardan bir tanesidir. Bu makalede, Müzikal Biçimcilik görüşü ana hatlarıyla açıklanacak ve bu öğretinin iki önemli temsilcisi Eduard ...
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Models and metaphors: Formalizations of music
Contemporary Music Review, 1989From theoretical formalizations to computer models, a “modeling” approach is becoming more widespread among researchers working along the chain extending from the conception of music to its perception. Based on various approaches described in this volume, this article seeks to clarify the levels on which models now being developed actually function, by
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Formal Conventions and Musical Practices
Abstract Through an extensive dissection of musical numbers’ form, this chapter categorizes how musical numbers can move through various narrative, aesthetic, and stylistic functions, using instances from Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952) and other Hollywood musicals to illustrate the genre’s norms of practice ...openaire +1 more source
Formal and Informal Music Educational Practices
Philosophy of Music Education Review, 2011Informal instructional approaches have long been an important component of a complete education in general and of music education in particular. But informal approaches have often been subject to bandwagon over-enthusiasm, with proponents inflating their virtues beyond what the concept appears to warrant.
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