Results 51 to 60 of about 779,296 (256)
Abstract This article considers mental and poetic “maps” of London in their respective relationships to Harry Beck's famous 1930s “circuit‐diagram” map of the underground railway system. This iconic image distorts and radically stylizes London geography; thus, it functions as a tool for planning individual travel itineraries but leads to a ...
Craig Melhoff
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The music of the American minimalist composers-above all, Steve Reich and Philip Glass-continues to excite an increasingly diverse, international public.
Rob Haskins
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Resurrection of Words: A Work in Defending Formalism A Critique on Resurrection of Words A Lesson of Speeches on Literary Theory of Russian Formalists [PDF]
Contrary to the tradition of some scholars such as Forouzanfar, Homaee, Zarrinkoub who mainly discussed life and thought of the author / poet, some of the works by Dr.
Issa Amankhani
doaj
In Defence of 'Structural Listening': Some Problems With the New Musicology
This essay raises a number of issues with regard to recent developments in music theory. Among them is the turn against 'analysis' or 'structural listening' on account of their (supposed) investment in a discourse of mainstream musicology whose aim is to
Christopher Norris
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Mathematics, Love, and Tattoos
Reflections on the film "Rites of Love and Math" (directed by Reine Graves and the author) and its "formula of love".Comment: 10 pages. Contribution to the Proceedings of the annual Symposium "Matematica e Cultura" in Venice (Italy), where the film was
Frenkel, Edward
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'Formalistic Freaks in Music': 'Ilya Golovin', Shostakovich, and Zhdanovshchina for the Masses
:Amidst all the art, literature, music, and theatre of the 'Zhdanovshchina' (the post-war Soviet intervention in arts policy), one play stands out: Sergei Mikhalkov's Ilya Golovin.
Daniel Elphick
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Melodies as Maximally Disordered Systems under Macroscopic Constraints with Musical Meaning
One of the most relevant features of musical pieces is the selection and utilization of musical elements by composers. For connecting the musical properties of a melodic line as a whole with those of its constituent elements, we propose a representation ...
Jorge Useche, Rafael Hurtado
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Wittgenstein, Modern Music, and the Myth of Progress [PDF]
Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to ...
Guter, Eran
core
In Situ Graph Reasoning and Knowledge Expansion Using Graph‐PRefLexOR
Graph‐PRefLexOR is a novel framework that enhances language models with in situ graph reasoning, symbolic abstraction, and recursive refinement. By integrating graph‐based representations into generative tasks, the approach enables interpretable, multistep reasoning.
Markus J. Buehler
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Plastic Theatre and Selective Realism of Tennessee Williams
Tennessee Williams’s inclination towards experimentation became evident early on when he first introduced the concept of “plastic theater,” heavily reliant on expressionism and symbolism.
Nudžejma Durmišević
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