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2017
This chapter identifies connections between the formal strategies used in both Bruckner’s and Mahler’s symphonies. Its point of departure is the ‘energetic’ theory of musical form developed by Ernst Kurth in his monograph on Bruckner (1925), particularly the idea of the ‘intensifying wave’.
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This chapter identifies connections between the formal strategies used in both Bruckner’s and Mahler’s symphonies. Its point of departure is the ‘energetic’ theory of musical form developed by Ernst Kurth in his monograph on Bruckner (1925), particularly the idea of the ‘intensifying wave’.
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Architectural Design, 2012
AbstractConventionally, material in architecture has been treated as the ‘servant’ of form. An iterative design process, though, that continuously integrates material, form and force has the potential to unfold a new generative logic of form‐finding. This offers ways of processing the flow of forces through a material object and balancing variations of
Toni Kotnik, Michael Weinstock
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AbstractConventionally, material in architecture has been treated as the ‘servant’ of form. An iterative design process, though, that continuously integrates material, form and force has the potential to unfold a new generative logic of form‐finding. This offers ways of processing the flow of forces through a material object and balancing variations of
Toni Kotnik, Michael Weinstock
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Force of Symmetry in Form Perception
The American Journal of Psychology, 1984Many objects, natural and manufactured, have at least one axis of symmetry; thus, the detection of symmetry could facilitate the detection and representation of objects. Literature is reviewed that supports the notion that humans have effective and efficient symmetry-detection ability.
J, Freyd, B, Tversky
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Forming Force Required for Tube-Forming
1972In the tube-forming process chosen as the subject of this study, a U-formed blank is formed into the tube by a semi-cylindrical punch and die without mandrel. The deformation process of each portion of the U-formed blank and the shape of formed tube are investigated experimentally, and the diameter of U-forming punch, to minimize the deviation of the ...
Y. Tozawa, K. Kawada
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1985
Our study of coherence has sought to lay bare both the potentials for form inherent in the materials the artist engages himself with and the devices and stratagems he may use to gain his purposes, making them virtually extensions of himself. But form will ever suggest “empty formalism,” the “merely formal,” and watchwords such as “formal” and ...
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Our study of coherence has sought to lay bare both the potentials for form inherent in the materials the artist engages himself with and the devices and stratagems he may use to gain his purposes, making them virtually extensions of himself. But form will ever suggest “empty formalism,” the “merely formal,” and watchwords such as “formal” and ...
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Journal of Architectural Education, 2003
Abstract The relationships between form, performance, and construction are uniquely demonstrated in the long-span works of Pier Luigi Nervi. The balance of these forces led in Nervi's case to a series of works that take the form of the equiangular spiral, a bizarre geometrical phenomenon that appears regularly in the natural world.
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Abstract The relationships between form, performance, and construction are uniquely demonstrated in the long-span works of Pier Luigi Nervi. The balance of these forces led in Nervi's case to a series of works that take the form of the equiangular spiral, a bizarre geometrical phenomenon that appears regularly in the natural world.
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