Results 41 to 50 of about 81,241 (146)

La fotografía de Denise Bellon en el contexto de las vanguardias [PDF]

open access: yes, 2014
Las obras de la fotógrafa Denise Bellon se convertirán en el eje para articular aspectos relacionados con tres corrientes fotográficas estrechamente asociadas a su evolución: el surrealismo, la fotografía humanista y el documentalismo.
Parejo, Nekane
core  

The Dual‐Edged State Paradox: Fighting for Justice When the State is Unreliable

open access: yesSociological Inquiry, Volume 95, Issue 4, Page 689-714, November 2025.
Sociological theories of collective resistance offer insights into how communities mobilize against oppression but often overlook the complexities when the state, an entity relied upon for justice, also acts as an agent of betrayal. Based on 8 years of ethnographic research in Palermo (2016–2024), this study examines the relationship between Sicilian ...
Baris Cayli Messina
wiley   +1 more source

‘The place where you should have been born’—Conservation practitioners sacralising wilderness and developing a sense of belonging in the Manu National Park, Perú

open access: yesPeople and Nature, Volume 7, Issue 6, Page 1413-1424, June 2025.
Abstract The management of protected areas is often portrayed as an enterprise guided by objective knowledge and technical criteria, a claim that situates conservation practitioners in positions of power relative to other actors in these spaces. Challenging these claims of objectivity by exploring conservation practitioners' subjective views is vital ...
Eduardo Salazar Moreira
wiley   +1 more source

El museo y las nuevas inquietudes de los historiadores de la fotografía

open access: yesConexión, 2012
El artículo no presenta resumen.
Augusto Del Valle
doaj  

Photovoice: A Promising Method for Capturing and Responding to Climate Change?

open access: yesWIREs Climate Change, Volume 16, Issue 3, May/June 2025.
The times ahead for people and the planet will depend on methods […] to unite us in our collective humanity and the just transformation of our social and physical environments. We believe now more than ever that photovoice can be “the little method that could change the world.” (Evans‐Agnew and Strack, 2022, 203–204).
Claudia Bagge‐Petersen   +5 more
wiley   +1 more source

Fotografia e preservação de bens culturais: relações e paradoxos

open access: yesUrbana: Revista Eletrônica do Centro Interdisciplinar de Estudos da Cidade, 2017
A fotografia possui um caráter preservacionista nato, considerados historicamente os esforços para fixação do dispositivo em suporte durável e sua circulação social.
Bruno de Andrea Roma
doaj   +1 more source

Análisis y lenguajes documentales para la fotografía: estudio de caso [PDF]

open access: yes, 2005
Actas de las Terceras Jornadas Imagen, Cultura y Tecnología celebradas del 28 al 30 de julio de 2004 en la Universidad Carlos III de ...
García Jiménez, Antonio   +2 more
core   +1 more source

Behind the lenses: Biases in the contribution of wildlife photography to biodiversity representation

open access: yesPeople and Nature, Volume 7, Issue 2, Page 541-556, February 2025.
Abstract Nature‐related visual media has a significant impact on today's society by engaging the public in conservation problems and promoting pro‐environmental behaviours. Although major attention has been paid to how some types of visual media (e.g. documentaries) offer unrealistic portrayals of the natural world, biases on representation by wildlife
Héctor Ruiz‐Villar   +2 more
wiley   +1 more source

El marihuano y su estigma en Ciudad Juárez. Una lectura fotográfica

open access: yesChihuahua Hoy, 2020
El objetivo del siguiente texto es analizar el estigma del marihuano que se ha constituido en Ciudad Juárez. El análisis se realiza mediante la intervención urbana a través de un proceso creativo de fotografía.
Héctor Francisco Servín Romero   +1 more
doaj   +1 more source

Prueba de metodología para una fotografía encontrada: «Cristales rotos», de Víctor Erice [PDF]

open access: yes, 2016
En este artículo se pretende estudiar una fotografía anónima que Víctor Erice utiliza en su mediometraje «Vidros partidos» («Cristales rotos») que forma parte de la película conjunta Centro histórico (2012).
Arquero Blanco, Isabel   +1 more
core   +1 more source

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