Results 151 to 160 of about 155,599 (198)

Exploring the social life of urban spaces through AI. [PDF]

Proc Natl Acad Sci U S A
Salazar-Miranda A, Fan Z, Baick M, Hampton KN, Duarte F, Loo BPY, Glaeser E, Ratti C.   +7 more
europepmc   +1 more source

Effects of a Video of Science Rejection by a Social Media Influencer and User Comments: Randomized Controlled Trial. [PDF]

J Med Internet Res
Till B, Niederkrotenthaler T, Naderer B.
europepmc   +1 more source

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Found footage

2021
Definizione del termine "Found footage".
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Found footage horror and documentary conventions

2022
This chapter opens the first part of Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema and explores the origins of the subgenre and why it has continually returned to an emulation of documentary conventions. This chapter argues that found footage horror films exploit the historic indexical relationship that the camera lens ...
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Lost and Found in Israeli Footage:

2021
This chapter explores the potentiality involved in manipulating the colonial Israeli cinematic archive, exploring Kamal Aljafari’s three mesmerizing essay-films: The Roof (2006, 61 minutes), Port of Memory (2009, 62 minutes), and Recollection (2015, 70 minutes).
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The footage yet to be found

2022
This concluding chapter addresses how found footage horror is adapting in a post-cinematic world, and outlines its movement into other forms of media, such as podcasts and video gaming. This chapter casts an eye towards the subgenre’s history and evolvement while looking towards its future, while bringing together the central arguments of Blood on the ...
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Found Footage, mouvement cinématographique contemporain

2012
This research deals with the found footage, analyzed here as a practice of cultural recycling and as a major cinematographic movement of our time. The study first draws a parallel between the manufacturing of "found images" and the process of industrial recycling.
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Found footage horror and historical trauma

2022
This chapter focuses on The Sacrament (West, 2013) as a case study, and uses this film to examine how the found footage horror subgenre negotiates the limits of traumatic representation. This chapter outlines several limitations of trauma theory in relation to genre cinema, and through use of Adam Lowenstein’s (2005) concept of the ‘allegorical moment’,
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