Results 11 to 20 of about 155,599 (198)
Cartesianism and Intersubjectivity in Paranormal Activity and the Philosophy of Mind [PDF]
, 2017 Over the last century within the philosophy of mind, the intersubjective model of self has gained traction as a viable alternative to the oft-criticised Cartesian solipsistic paradigm. These two models are presented as incompatible inasmuch as Cartesians
Jones, Steve
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Achados e perdidos: do found footage ao filme-ensaio em Drežnica
Alceu, 2018 A partir do filme Drežnica (Anna Azevedo, 2008) investigamos as possibilidades enunciativas presentes numa obra construída com imagens de filmes domésticos, associadas a vozes de pessoas com deficiência visual, que não tem relacionamento direto ...
Rafael de Almeida, Renata Rosa Franco
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Familiarity breeds distortion: the effects of media exposure on false reports concerning media coverage of the terrorist attacks in London on 7 July 2005 [PDF]
, 2008 The present experiment investigated whether increased media exposure could lead to an increase in memory distortions regarding a traumatic public event: the explosion of the No. 30 bus in Tavistock Square, London on 7 July 2005.
Granhag, P. +3 more
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Cuerpos de la reedición. Revisiones del siglo XX en el cambio de milenio
SOBRE. Prácticas artísticas y políticas de la edición, 2020 En la etapa comprendida entre los 90 y la primera década de los 2000, ciertas obras de reedición destacan por el po- tencial de la manipulación de materiales ya existentes, la mayoría cinematográficos.
Tania Castellano San Jacinto
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Kwartalnik Filmowy, 2018 Przedmiotem niniejszego artykułu jest charakterystyka szczególnej odmiany filmów, których struktura narracyjna została oparta w całości lub w dominującym stopniu na statycznym materiale fotograficznym. Utwory określane jako filmy ze zdjęć, fotofilmy czy
Justyna Sulejewska
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The kindest cut: Enhancing the user experience of mobile tv through adequate zooming [PDF]
, 2007 The growing market of Mobile TV requires automated adaptation of standard TV footage to small size displays. Especially extreme long shots (XLS) depicting distant objects can spoil the user experience, e.g. in soccer content.
Knoche, H +3 more
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Rebeca, 2016 Este artigo parte de um contexto de mudança de paradigma no que diz respeito ao arquivo, assim como da emergência de novas formas de experimentar a memória através da arte do cinema.
Adriana Maria Cursino Menezes
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Venezia Arti, 2017 It’s been five decades since Film was first shown at the 26th edition of the Venice International Film Festival. Yet the 1965 short film, directed by Alain Schneider and based on the only script written for the big screen by Samuel Beckett, enjoys a ...
Zanco, Martina
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Revista Laika, 2014 In art history, re-use is probably the most constant and diverse practice for creating images. Cinema is constantly intensifying two of its forms: the intertextual re-use and recycling. What are the main uses of found footage? We propose five types which are explored and associated to unique pieces: elegiac, critical, structural, materiologic and ...
Nicole Brenez, Pip Chodorov
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Grając w szachy z Duchampem. O „Rzeźbiarzu z kamerą” Marcina Giżyckiego
Kwartalnik Filmowy, 2018 Celem artykułu jest pokazanie związków zarówno formalnych, jak i treściowych, zachodzących 1) pomiędzy dziełem found footage, zatytułowanym Rzeźbiarz z kamerą.
Adam Trwoga
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