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How “Found Footage” Films Made Me Think Twice about Film History

Cinéma & Cie, 2008
Eric Thouvenel
doaj  

Does automated feedback impact the acceptability of AI-generated police body worn camera review? An implementation science natural experiment. [PDF]

J Exp Criminol
Watts S, Del Pozo B, White MD, Malm A.
europepmc   +1 more source

Facial Expressions of Emotion are Infrequent in Toddlers’ and Caregivers’ Egocentric Views. An Ecological Study

Jackson EJ, Geangu E.
europepmc   +1 more source

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The footage yet to be found

2022
This concluding chapter addresses how found footage horror is adapting in a post-cinematic world, and outlines its movement into other forms of media, such as podcasts and video gaming. This chapter casts an eye towards the subgenre’s history and evolvement while looking towards its future, while bringing together the central arguments of Blood on the ...
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Colombian found footage: The tradition of rupture

New Cinemas, 2015
Abstract This article examines the use of archival footage in Colombian cinema, following three lines of enquiry: film as meta-history, film as montage and video recycling as counter-information. First, the section on ‘film as meta-history’ studies the historical discourse on Colombian cinema in three films by Luis Ospina: En busca de ...
Maria Luna
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Lost and Found in Israeli Footage:

2021
This chapter explores the potentiality involved in manipulating the colonial Israeli cinematic archive, exploring Kamal Aljafari’s three mesmerizing essay-films: The Roof (2006, 61 minutes), Port of Memory (2009, 62 minutes), and Recollection (2015, 70 minutes).
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Found footage

2021
Definizione del termine "Found footage".
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Found footage horror and televisual actualities

2022
This chapter engages with how found footage horror cinema has responded to new representations of reality on television and speaks to the speed at which the subgenre adapts to and adopts new reality aesthetics. Opening with an examination of the troubled release history of The Poughkeepsie Tapes (Dowdle, 2007), this chapter details the noted surge in ...
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Found footage horror and historical trauma

2022
This chapter focuses on The Sacrament (West, 2013) as a case study, and uses this film to examine how the found footage horror subgenre negotiates the limits of traumatic representation. This chapter outlines several limitations of trauma theory in relation to genre cinema, and through use of Adam Lowenstein’s (2005) concept of the ‘allegorical moment’,
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Found Footage: Feminism Lost in Time

Tulsa Studies in Women's Literature, 2002
This essay reads the publicity surrounding The Blair Witch Project—the mock documentary or “found footage” of three student filmmakers trying to produce a film about the legendary witchcraft in the town Burkittsville—next to the HBO film If These Walls Could Talk 2 (1999), a narrative triptych about four generations of lesbians.
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