Results 41 to 50 of about 155,599 (198)
Shooting the War: The Canadian Army Film Unit in the Second World War [PDF]
, 2012 Very little has been written about the Canadian Army Film Unit (CAFU) since the end of the Second World War, despite Jon Farrell’s postulation. There have been a few short newspaper articles related to teh Film Unit and the D-Day footage that made it ...
Klotz, Sarah
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O mutoscópio de Santos Dumont e a poética do found footage
Anais do Museu Paulista: História e Cultura Material, 2018 RESUMO O artigo tem como base o estudo de um raro e extraordinário artefato cinematográfico de Santos Dumont, pertencente à coleção do Museu Paulista da Universidade de São Paulo: um carretel de mutoscópio produzido em 1901.
CARLOS ADRIANO
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La memoria come strumento di lotta: dall’incontro con Annie Ernaux
Between, 2023 In October 2022, a few weeks after the announcement of the Nobel Prize, Annie Ernaux premiered in Italy her first film, Les Années Super8, released with her son David Ernaux-Briot.
Francesca Maffioli
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Audiences, Intertextuality and New Media Literacy [PDF]
, 2008 This article explores intertextuality as a technique that can be used to bridge old and new media literacies for teachers and students who hope to move beyond the textbook model of instruction into a world of online resources, flexible pedagogies and ...
Tyner, Kathleen
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Graphic Content Warning; Personal and Political Traumas [PDF]
, 2019 The written portion of this thesis work is meant to address and further investigate the visual work created using mediums of print and found video. This artistic research has been interested in examining varying associations with truth, recollection, and
Wardell, Emily K
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Significação: Revista de Cultura Audiovisual, 2013 Falsos documentários de horror codificados como found footage têm sido massivamente realizados nas últimas duas décadas. Filmar um roteiro de ficção com a textura estilística de um documentário exige restrições criativas, a fim de impor a imagens e sons ...
Rodrigo Carreiro
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Revista Laika, 2014 So, again in retrospect, what did I (intuitively) want or demand from the found film material? Firstly I sought a quality of mystery about an image - what I now talk about as a ‘latency’ – finding some aspect of the sequence that was not seen or intentionally put there by the original cinematographer and that, when re-combined in a different context ...
openaire +1 more source
Applying psychological science to the CCTV review process: a review of cognitive and ergonomic literature [PDF]
, 2008 As CCTV cameras are used more and more often to increase security in communities, police are spending a larger proportion of their resources, including time, in processing CCTV images when investigating crimes that have occurred (Levesley & Martin ...
Hillstrom, Anne +2 more
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Du tableau à la séquenceRevoir Hopper (Gustav Deutsch, Shirley, 2013)
Mise au Point, 2018 Avec Shirley (2013), l’artiste autrichien Gustav Deutsch s’est engagé dans un projet audacieux, consistant à recréer, à incarner et à animer, dans le cadre d’un processus narratif, treize tableaux du peintre américain Edward Hopper.
Livio Belloï
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Cinema, história, memória e verdade: found footage e apropriação em Wajda
Lumina, 2020 Este artigo discute a apropriação de arquivos de filmes e vídeos footage para propostas representacionais de fundo histórico no cinema, através de alguns trabalhos do cineasta Andrzej Wajda (Trilogia da guerra 1954-1958, Homem de mármore 1976 e Katyn ...
Silvana Seabra
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