Results 71 to 80 of about 155,599 (198)
, 2003 Includes bibliographical references.The way in which indigenous people are represented in documentaries has radically changed within the last century. But "If there (still) is one overriding ethical/political / ideological!
Hibbeler, Christian
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A cultura participativa no cinema de horror contemporâneo: apontamentos sobre o found footage
Rebeca, 2016 O artigo investiga o contexto de estabelecimento do subgênero found footage no cinema de horror contemporâneo. Os conceitos principais para tal são a cultura participativa (Henry Jenkins, 2009) e a reivindicação da veracidade no documentário (Patricia ...
Claudio Vescia Zanini
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Found footage and the gothic conventions
Revista SOLETRAS, 2014 Social, historical, political and economic changes somehow are invariably reflected in the cultural and artistic manifestations of their time. In Gothic literature this is noticeable in elements such as medieval settings when they were more frequent (The Castle of Otranto), or the questionings regarding the creationist thought suggested in Frankenstein,
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Nothing but images: the International Seminar of Archive Documentary – Archives in Motion
Aniki: Revista Portuguesa da Imagem em Movimento, 2017 The International Seminar of Archive Documentary – Archives in Motion took place at the Fundação Getúlio Vargas (CPDOC-FGV), in Rio de Janeiro in november 2016. This article proposes a report and a reflection on the conference.
Beatriz Rodovalho Gonçalves
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Barbara Hammer’s History Lessons as a documentary utopia
Images, 2018 This article is devoted to the third part of Barbara Hammer’s documentary trilogy, History Lessons. The author analyzes and interprets the form and message of this post-queer essay, with the aim of describing its formula in relation to the mockumentary ...
Monika Talarczyk-Gubała
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I think I am turning academic, I really think so... [PDF]
, 2007 In this 15 minute reflective film I consider how I might develop the documentary film form into a method of “writing” with video to articulate a more complex understanding of the world.
Hearing, Trevor
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O dispositivo no cinema de horror found footage
Lumina, 2015 O presente artigo discute algumas questões do dispositivo cinematográfico nas produções de horror found footage – filmes montados a partir de gravações supostamente encontradas. O objetivo é pensar características desse realismo simulado na tela. Autores
Ana Maria Acker
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Dying to be Seen: Snuff-Fiction's Problematic Fantasies of "Reality" [PDF]
, 2011 The mythic Snuff film has remained a persistent cinematic rumour since the mid-1970s. The discourses that surround Snuff are preoccupied by two factors: (a) the formal aesthetic, and (b) their alleged role as a kind of titillating pornography.
Jones, Steve
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Memorializing Genocide I: Earlier Holocaust Documentaries [PDF]
, 2016 In this essay, I discuss in detail two of the earliest such documentaries: Death Mills (1945), directed by Billy Wilder; and Nazi Concentration Camps (1945), directed by George Stevens.
James, Jason Gary
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The Life and Work of George Dombek [PDF]
, 2016 George Dombek is an accomplished artist who graduated from the University of Arkansas with degrees in Architecture and Painting. His career as both professor and painter has taken him around the world and produced a substantial body of work.
Ramsey, Jeffrey Scott
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