Results 61 to 70 of about 10,639 (211)
A prova retórica do logos no filme narrativo de ficção
RESUMO O logos consiste na prova retórica técnica/artística, segundo (Aristóteles, 2000), em que o orador demonstra ou tenta demonstrar a verdade pelo discurso; ou seja, trata-se do uso do raciocínio lógico com o objetivo de fundar uma proposição ...
Carolina Assunção e ALVES
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Spartan Daily, March 12, 1968 [PDF]
Volume 55, Issue 87https://scholarworks.sjsu.edu/spartandaily/5100/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
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El motivo de análisis que he escogido para trazar un posible itinerario en la historia del cine es la representación simbólica de la sexualidad y su expresión a través de la figura narrativa del doble en Drácula de Bram Stoker (Francis Ford Coppola, 1992)
Laura Antón Sánchez
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Reinventing Female Fashion: From Victorian Apparel to Steampunk Expression of the Self [PDF]
First impressions have always been said to be extremely important in most situations. Traditionally, outfit is linked to one’s conception of the society one lives in.
Alonso-Jerez, Marta
core
Samotność na ekranie. Filmowe życie obrazów Edwarda Hoppera
Twórczość Edwarda Hoppera doskonale oddaje specyfikę obustronnych relacji malarstwa i filmu. Z jednej strony malarz zapożyczał i przekładał na swoje płótna filmowe środki wyrazu, zbliżając tym samym swoje prace do zatrzymanych kadrów.
Maria Pokora
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Exploring the work of Dorothy Arzner as a film-making teacher in southern California
Dorothy Arzner is best remembered as one of the exceptionally few women to direct feature films during Hollywood’s ‘golden age’. One of the lesser known dimensions of her career is her work as a film-making teacher in southern California during a time ...
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Euclides da Cunha e Joseph Conrad: narrativas consagradas sobre o “mundo desconhecido”
Nossa reflexão se volta para a análise da mais canônica narrativa constitutiva do imaginário brasileiro sobre a Amazônia: os escritos amazônicos na obra de Euclides da Cunha (1866-1909), intentando tratar tais escritos como narrativa, relato de sua ...
Eli Napoleão de Lima
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‘It was what I pulled out of that novel that made the film’. Literary, Film and Musical Adaptations
The article presents adaptation as a process of change and not as a final product: the expressive language is an essential feature in the definition of the object. The object of this article is the switching from one language to another.
Marida Rizzuti
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This article presents the semantic analysis of the feature commercial film "Taker: Man and his Dream" (1988), directed by Francis Ford Coppola. The film talks about the life of Preston Tucker (1903-1956), American innovator and a car designer.
Miloš Zarić
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Different Adaptations: The Power of the Vampire
Since film first established itself as pre-eminently a narrative medium there has been a long-running questioning on the nature of the connections between film and literature. Conrand’s known statement about his novelistic intention - “My task which I am
Mario Vrbančić +1 more
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