Results 91 to 100 of about 265 (130)

Francis Poulenc, Profane and Sacred

Logos: A Journal of Catholic Thought and Culture, 2013
In the Parisian world of musical composition between World War I and World War II, Francis Poulenc was not deemed a first-tier composer. Foremost at that level were Igor Stravinsky and Darius Milhaud. By 1958, however, when Leonard Bernstein and the New York Philharmonic wanted to commission a work for the presti- gious 1962 opening of Lincoln Center ...
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Les mamelles de Tiresias. Francis Poulenc

Opera Quarterly, 2000
exaly   +2 more sources

Francis Poulenc et les poètes

Vingtième Siècle, revue d'histoire, 1996
Résumé
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The Music of Francis Poulenc (1899-1963): A Catalogue

Notes, 1997
The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers.
George Keck, Carl B. Schmidt
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Francis Poulenc

Notes, 1960
H. Wiley Hitchcock, Henry Hell, Edward Lockspeiser   +2 more
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Poulenc Francis, Correspondance 1910-1963

Vingtième Siècle. Revue d'histoire, 1995
Résumé
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Francis (Jean Marcel) Poulenc

1998
geb. 7. 1. 1899 Paris; gest. 30. 1. 1963 Paris. Ab 1914 Kl.-Unterricht u.a. bei Ricardo Vines; durch diesen Bekanntschaft mit Erik Satie und Georges Auric. Kompositionsstudien bei Charles Koechlin; 1917 Auffuhrung der ersten eigenen Komposition Rhapsodie negre; 1919 Mitglied der ›Groupe des Six‹, gemeinsame Konzerte und Gruppenwerke; 1921 zusammen mit ...
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Poulenc, Francis (Jean Marcel)

1992
Als P. 1917 Paul Vidal, seinem Professor am Pariser Conservatoire, die Rapsodie negre zeigte, war dieser sehr emport und glaubte, das man sich uber ihn lustig mache. Betrubt ging P. zu Satie, seinem Mentor, der ihn mit den Worten trostete: »Ne melangez jamais les ecoles« (Vermischen Sie nicht die [verschiedenen] Schulen).
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Surrealism in Francis Poulenc’s Bal masqué

2009
In the fall of 1931, the Vicomte and Vicomtesse de Noailles commissioned Francis Poulenc to contribute to a "spectacle-concert" to be held in Hyere, the site of their country home. Although there is no written account of the soiree held at the Theatre d'Hyeres on April 20, 1932, there is a photograph showing ten of the people in attendance that evening.
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Poulenc, Francis :Emmanuel Chabrier (1961) [PDF]

, 2020
info:eu-repo/semantics ...
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