Results 71 to 80 of about 441,540 (178)

THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2013
The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. The entire cycle of Lieds represents a unified whole, in which the
Gabriela COCA
doaj  

Emphatic Articulation: ‘Klangrede’ as a performative concept in Nikolaus Harnoncourt’s orchestral interpretation

open access: yesStudia Musicologica Norvegica
In a 2004 interpretation of Schubert’s Symphony in B minor, Austrian conductor Nikolaus Harnoncourt and the Berlin Philharmonic foreground a certain awareness regarding articulation.
Emil Bernhardt
doaj   +1 more source

Intrigue in Inexistence: Schubert’s Unfinished Symphony and the Influence of Hindsight and Posthumous Canonization on Western Art Music

open access: yesNota Bene
Schubert’s Symphony No. 8 in B Minor, D. 759, often dubbed the “Unfinished Symphony,” is a topic of intrigue for musicians and scholars to this day, largely due to the fact that it is incomplete. Its popularity and acclaim come not from the music itself,
Jerill Morales
doaj   +1 more source

Investigating epigenetic effects of activation-induced deaminase in chronic lymphocytic leukemia.

open access: yesPLoS ONE, 2018
Activation induced deaminase (AID) has two distinct and well defined roles, both relying on its deoxycytidine (dC) deaminating function: one as a DNA mutator and another in DNA demethylation.
Maria Schubert   +4 more
doaj   +1 more source

Phantasie : C-Dur ; Op. 15 / Franz Schubert

open access: yes
PHANTASIE : C-DUR ; OP. 15 / FRANZ SCHUBERT Phantasie : C-Dur ; Op.
Schubert, Franz
core  

ePoster

open access: yes
European Journal of Neurology, Volume 33, Issue S1, June 2026.
wiley   +1 more source

Teatralitatea muzicii vocale camerale

open access: yesSymbolon, 2017
The Theatricality of Vocal Chamber Music In a wider sense, the first form of devising in the music world was ‘dramma per musica’ in the seventeenth century, but also the early cantata.
Daniela Păcurar-Neamț
doaj  

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