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Typewriter: Free Indirect Discourse in Deleuze's Cinema

SubStance, 2005
The figure of speech variously called "free indirect discourse," "quasidirect discourse," or "represented speech," dominates Gilles Deleuze's two-volume study Cinema, a work also containing a theory of cinematic "free indirect images." Deleuze develops a concept of free indirect images, which, he argues, articulate the social in "modern cinema ...
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FREE INDIRECT DISCOURSE: SOME REFERENTIAL ASPECTS

jlse, 1995
Pour une semantique referentielle du style indirect libre portant sur la representation des aspects non/verbaux des evenements mentaux dans la prose narrative: idee du concept de «psycho-narration» ou «discours interne» renvoyant a la conscience du narrateur et replacement du mode discursif indirect dans un univers fictionnel compatible avec celui du ...
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Gender and Genre in Free Indirect Discourse

Studies in Eighteenth-Century Culture
Abstract: There is a longstanding association in scholarship on the novel between free indirect discourse (FID) and narrative fiction. This essay argues that we ought to attend to free indirect discourse in non-narrative forms as well. The author first introduces Paul Dawson's historicist argument about FID.
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Free Indirect Discourse and Narrative Authority in Emma

Narrative, 2004
Jane Austen is generally acknowledged to be the first English novelist to make sustained use of free indirect discourse in the representation of figurai speech and thought.1 Unfortunately, however, the theory of free indirect discourse (FID) in Eng lish has not been congenial to Austen's work, often obscuring the way the technique functions in her ...
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Temporal relations of free indirect discourse events

Linguistics, 2021
Jakob Egetenmeyer
exaly  

The Veil’s Free Indirect Discourse about Itself

2009
When the gaze meets the veil, it becomes out of sync with itself, it is doubled and refracted in another gaze that sees and is seen along with it. Are we thus arriving at a true interaction of the different? And what would its conditions be like?
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Discourse markers in free indirect style and interpreting

Journal of Pragmatics, 2014
Fabrizio Gallai
exaly  

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