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Visions of the Other and free indirect speech in Artistic Discourse Bakhtin, Pasolini, Deleuze
Southern Semiotic Review, 2015The relation between one’s own vision of the world and that of others finds expression in different types of reported speech—direct, indirect, and free indirect. Interplay between one’s own word and another’s word is strongest in free indirect discourse where internal dialogism of the word is particularly evident.
PONZIO, Augusto, PETRILLI, Susan Angela
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Language and Literature: International Journal of Stylistics, 2007
Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
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Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
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Free Indirect Speech and Jane Austen's 1816 Revision of Northanger Abbey
Studies in English Literature, 1500-1900, 1990Northanger Abbey is conspicuous in the Austen canon in that its genesis is problematical, its publication history checkered. On the cumulative evidence of Cassandra's memorandum, the "Advertisement by the Authoress" prefixed to the 1818 edition, and strategic references contained in correspondence, two salutary facts can be deduced: that Jane Austen ...
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Telepaths and Mountebanks: some notes on the riddle of free indirect speech
2023Revue Langues et Littératures, Vol. 4 (1985)
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Simulating prosody in free indirect speech
2015Direct speech is more vivid and expressive than indirect speech because it involves the demonstration of a speech act rather than just a description that seems to pattern with direct speech in many respects, including, anecdotally, prosody. Based on Yao and Scheepers’s finding that readers adjust their reading rate to the contextually implied speech ...
Maier, Emar +2 more
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Characteristics of Free Indirect Speech in English Literature
Proceedings of the Southwest State University. Series: Linguistics and PedagogyThis article deals with such a linguistic phenomenon as free indirect speech. The main goal is to clarify the basic principles of positioning of this type of speech in the text, to identify its stylistic features and grammatical structure. Within the framework of the work, descriptive, comparative-historical, comparative and semantic-stylistic methods ...
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Jane Austen and the Invention of Free Indirect Speech
This book reveals a new dimension of Jane Austen’s writing. While her pioneering use of Free Indirect Discourse to present interiority and create irony has long been acknowledged, the range of effects generated by her use of Free Indirect Speech has remained unrecognised.openaire +1 more source
On the Free Indirect Speech of Very Minor Characters in Mrs. Dalloway
NarrativeABSTRACT: "Very minor" characters in Virginia Woolf's Mrs. Dalloway , who receive only a few sentences' attention before vanishing from the canvas of the novel, receive surprisingly consistent and intense depiction through free indirect speech, especially in the London street scene near the opening of the novel and the party scene near its close. Even
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Pronoun Use in Finnish Reported Speech and Free Indirect Discourse: Effects of Logophoricity
2017Many languages have logophoric pronouns which refer to the person whose speech, thoughts or feelings are being reported, and some languages also have antilogophoric pronouns. This paper investigates (anti)logophoricity in the pronominal system of Finnish, in particular in reported speech and free indirect discourse (FID).
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The Challenge of Free Indirect Speech in Mrs Dalloway
2012Reading Virginia Woolf is the same as entering “a room of her own”, moulding impressions, listening to words spoken and unspoken, experiencing her well balanced, sensitive, and synaesthetic world. The way she spins out her stories creates a unique lacework where tout se tient since each single stitch contributes to the whole. Translating Virginia Woolf
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