Results 211 to 220 of about 14,326 (251)
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2020
This chapter explores speech representation structures in Early Modern English that exhibit a mixture of direct speech and indirect speech. Drawing data from an Electronic Text Edition of Depositions 1560–1760 (ETED), we chart the frequency and characteristics of different types of speech representation that overlap between direct and indirect speech ...
Terry Walker
exaly +2 more sources
This chapter explores speech representation structures in Early Modern English that exhibit a mixture of direct speech and indirect speech. Drawing data from an Electronic Text Edition of Depositions 1560–1760 (ETED), we chart the frequency and characteristics of different types of speech representation that overlap between direct and indirect speech ...
Terry Walker
exaly +2 more sources
Language and Literature, 2007
Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
Reiko Ikeo
exaly +2 more sources
Although they have been characterized in terms of the mixture of a protagonist's and the narrator's voices, the formal specifications of the free indirect forms of speech and thought presentation are not always applicable to actual cases, and the decision to make a free indirect speech (FIS) or free indirect thought (FIT) reading mainly depends on the
Reiko Ikeo
exaly +2 more sources
Free indirect speech in a fettered insecure society
Language and Communication, 1987exaly +2 more sources
Chapter 6. Spatiotemporal deixis and expressivity in free and distancing indirect speech or thought
Topics in English Linguistics, 2009Lieven Vandelanotte
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The Rhythm and the Free Indirect Speech. A Few Comments
2023The article discusses the interaction of rhythm and narrative strategy. Free indirect speech is a complex phenomenon, sometimes devoid of bright markers of the transition to the character’s inner mental space. Metric changes, change of breath expressed in the rhythm, are considered as one of the ways of “switching” from the author’s speech to the ...
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