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Abstract Studies on language in French and Francophone cinema are scarce, with the exception of articles devoted to theoretical questions. Each film with its screenwriter, filmmaker, and actors has its uniqueness and individual particularities and is a valuable tool for analysis.
Michael Abecassis
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Michael Abecassis
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Teaching and Research in French Cinema
2011© 2011 Liverpool University Press.Teaching and research in French cinema has developed rapidly in a relatively short time since the mid- to late 1970s. At that time, teaching was confined to the occasional course unit in a handful of universities, and research was only just starting to emerge from work aimed at cinephile rather than academic ...
Powrie, P, Reader, K
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French Screen Studies, 2020
The study of music in films as a major strand of modern Film Studies began with a special issue of Yale French Studies in 1980.
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The study of music in films as a major strand of modern Film Studies began with a special issue of Yale French Studies in 1980.
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Theory, Culture & Society, 2000
The article opens with a brief discussion of the cultural economy of cities. A framework for investigating this phenomenon is then proposed, paying special attention to the interconnections between the system of production, its geographic milieu and the logistics of distribution.
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The article opens with a brief discussion of the cultural economy of cities. A framework for investigating this phenomenon is then proposed, paying special attention to the interconnections between the system of production, its geographic milieu and the logistics of distribution.
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Charcot and recent French cinema
Journal of the History of the NeurosciencesIn the scientific world, Professor Jean-Martin Charcot is known for his contribution to the establishment of the anatomo-clinical method in neurology in Paris at the Salpêtrière hospital. However, media attention in the late 1800s has focused on his work on hysteria. In this article, we aim to review how he has been depicted in two recent French movies:
Ariane St-Denis, Rami Massie
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Introduction French Cinema: ‘Transnational’ Cinema?
Modern & Contemporary France, 2007The aim of this special issue of Modern & Contemporary France is to examine the usefulness of the concept of the ‘transnational’ to French cinema studies and to assess whether the adoption of a tra...
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2009
It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording ...
Dayna Oscherwitz, MaryEllen Higgins
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It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording ...
Dayna Oscherwitz, MaryEllen Higgins
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French cinema and the political
Studies in French Cinema, 2010ABSTRACTThe years since 1995 have seen the return of the political to French cinema, but this is a cinema that can no longer feed off an elaborated leftist project, and that must therefore take new forms. After a brief contextualization, this article seeks to account for the novelty and effectiveness of this cinema.
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