Arianna's Palette: A Diagnostic Study of the Painting Walls of the Domus of Arianna in Pompeii
Archaeometry, EarlyView.ABSTRACT The House of Arianna, also known as the House of Colored Capitals, represents, with its 1700 m2 of floor space, one of the most majestic examples of a residence within the Pompeii archaeological site. The research developed within the project “Cultural Heritage Active Innovation for Sustainable Society—CHANGES” reports the outcomes of the ...
Maria Verde +9 more
wiley +1 more source
Beard Pulling in Medieval Christian Art: Various Interpretations of a Scene [PDF]
Anastasis: Research in Medieval Culture and Art, 2016 The article deals with the problem of interpretation of the scene where one person pulls the beard of another one or two persons pull the beard each other.
Ekaterina Endoltseva, Andrey Vinogradov
doaj
Perspectival generation in/within the Sala della Pace: broadening the viewfield of spatialised images [PDF]
, 2003 It is everyday experience to look at a picture on a wall, (or on a computer screen) from a position that is out of alignment with its perspective, and then make a mental adjustment so as to allow for and ignore the distortion which results. To understand
Brisbin, Chris
core +2 more sources
Cryptococcid Sweet Syndrome in the Setting of Hydralazine‐Induced ANCA Vasculitis: A Case Report
Journal of Cutaneous Pathology, EarlyView.ABSTRACT Acute febrile neutrophilic dermatosis, also known as Sweet syndrome, is an inflammatory skin condition characterized by the rapid onset of painful, erythematous plaques or nodules with neutrophilic infiltrate on histology. Rarely, acellular bodies surrounded by vacuolated spaces have been noted within the neutrophilic infiltrate, mimicking ...
Jenna Vroman +4 more
wiley +1 more source
Protomaster of the frescoes in the paracclesion of the Holy Anargyroi in the Vatopedi Monastery (1365/1366-1368) [PDF]
Zbornik Radova Filozofskog Fakulteta u PrištiniThe original fresco of St. John Chrysostom in the central apse of the parecclesion of Holy Anargyroi in Vatopedi monastery on Holy Mount Athos, the foundation of Serbian Despot Jovan Uglješa (1365-1371; fig.
Gavrilović Anđela Đ.
doaj +1 more source
Presenting Pompeii: Reconciling Relationships between Configuration and Conservation [PDF]
, 2013 Mark Twain’s idealized testimonial in his travelogue Innocents Abroad is not a revolutionary phenomenon. Pompeii has long been considered a city with breathtaking preservation, but the extent of preservation has been a recent source of controversy.
Sheldon, Karilyn
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Journal of Applied Philosophy, EarlyView.ABSTRACT Psychedelics offer an intriguing novel method for changing minds, supposedly by destabilizing the neurobiology of the belief system. The resulting power to change minds raises ethical and epistemic concerns. This article examines the epistemic status of psychedelic experiences and suggests a skeptical attitude towards beliefs formed under ...
Jan Christoph Bublitz
wiley +1 more source
The wall painting in the church of St. Nicholas tes Rhodias near Arta [PDF]
Zograf, 2010 The paper deals with the wall paintings in the Church of St. Nicholas tes Rhodias near Arta. Many scenes and individual figures are identified for the first time, and the majority of inscriptions on the frescoes are deciphered.
Fundić Leonela
doaj +1 more source
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Combining Causal Model and Focus Group Discussions: Experiences Learned from a Socio-Anthropological Research on the Differing Perceptions of Caretakers and Health Professionals on Children\u27s Health (Bolivia/Peru) [PDF]
, 2004 During the summer of 2002, thirty-one medieval frescoes went on display at the Museum of Texas Tech University, the only venue in the world for this extraordinary exhibition.
De Celis, Emma Rubín +3 more
core +1 more source