Results 81 to 90 of about 21,721 (204)

Reassessing the Periodization of Mural Paintings in the Cave Church of the Southern Mangup Monastery

open access: yesВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2019
Introduction. The Southern Monastery is located in the southern part of the Mangup plateau in a natural rock grotto. The cave church is in the eastern side of the grotto. It is decorated with mural paintings.
Yuriy M. Mogarichev, Alena S. Ergina
doaj   +1 more source

Past practices: rethinking individuals and agents in archaeology [PDF]

open access: yes, 2008
Archaeologists who seek to examine people's roles in past societies have long assumed, consciously or unconsciously, the existence of individuals. In this study, we explore various concepts and dimensions of ‘the individual’, both ethnographic and ...
Knapp, A.B., van Dommelen, P.
core   +1 more source

Nineteenth‐Century Watercolour Reproductions of Old Masters in the Ruskin Teaching Collection, Ashmolean Museum, Oxford: Materials and Techniques of ‘Heaven‐Borne’ Copyist Charles Fairfax Murray

open access: yesArchaeometry, Volume 68, Issue 1, Page 64-83, February 2026.
ABSTRACT This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin.
Victoria Kemp   +3 more
wiley   +1 more source

Volume 12, Number 2- December 1931 [PDF]

open access: yes, 1931
Volume 12, Number 2 – December 1931. 32 pages including covers and advertisements. Who\u27s Who in the Alembic A Christmas Message from the Dean Harrison, George F. A Reply to \u27An Open Letter to a Freshman\u27 McDonald, Martin J.

core   +1 more source

Relationship and Source of Whitings Used as a Painting Ground in Icons From Polish Museum Collections Based on Their Calcareous Nannofossil Content

open access: yesArchaeometry, Volume 68, Issue 1, Page 132-143, February 2026.
ABSTRACT In icon painting, chalk whiting is key to creating a gesso ground, providing a smooth, absorbent surface for paint. Calcareous nannofossils, tiny marine skeletons found in chalk, are an ideal tool for analyzing the origin of an icon's chalk ground, often the only reliable information about where the icon came from.
Mariusz Kędzierski, Mirosław P. Kruk
wiley   +1 more source

Music inspired by art and literature: Thomas Stumpf, piano, November 10, 1992 [PDF]

open access: yes, 1992
This is the concert program of the Music Inspired by Art and Literature: Thomas Stumpf, piano performance on Tuesday, November 10, 1992 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

Imaging Evil in the First Chapters of Genesis: Texts behind the Images in Eastern Orthodox Art [PDF]

open access: yes, 2016
Satan’s interference in the events described in the first chapters of the book of Genesis and in the life of the protoplasts is not mentioned at all in the biblical text. This happens, however, in pseudo-canonical texts.
Kuyumdzhieva, Margarita
core   +1 more source

Representations of the First Places of Learning on the Paintings of the Medieval Serbian Monasteries

open access: yesInovacije u Nastavi, 2019
The iconography created during the 800-year-long Serbian history depicts the times filled with important historical and cultural events. The frescoes reflect the development of diverse trends in our educational system.
Dragomir S. Sando
doaj   +1 more source

Reparations after species extinctions: An account of reparative interspecies justice

open access: yes
Journal of Social Philosophy, EarlyView.
Anna Wienhues, Alfonso Donoso
wiley   +1 more source

Intersemiotic Tropes as Genre Forming Factor

open access: yesLìteraturnij Proces: Metodologìâ, Ìmena, Tendencìï, 2013
The article probes into genre-forming function of intersemiotic tropes. A study of the collection of short stories “Singing Willow Tree Cradle: frescoes of occupation period” by Yevgen Gutsalo proves that poetic means from related arts pervade a form and
Olena Yeremenko
doaj  

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