From Pythagoras to Johann Sebastian Bach: An Exploration in the Development of Temperament and Tuning [PDF]
, 2014 Temperament and tuning are at the core of all music—they are the embodiment of the correlation of music and mathematics in every musical work. In examining the shift from Pythagorean tuning to well temperament, compositional style and philosophy governs ...
Anderson, Molly
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Faculty concert: Atlantic Brass Quintet, "Old and New" [PDF]
, 1998 This is the concert program of the Faculty Concert of the Atlantic Brass Quintet "Old and New" performance on Monday, November 9 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Art of Fugue: Bach Fugues for Keyboard, 1715–1750
, 2005 Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music.
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Boston University Wind Ensemble, Tuesday, April 27, 1999 [PDF]
, 1999 This is the concert program of the Boston University Wind Ensemble performance on Tuesday, April 27, 1999 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were March No.
School of Music, Boston University
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Guest Artist Series, February 2, 2007 [PDF]
, 2007 This is the concert program of the Guest Artist Series performance on Friday, February 2, 2007 at 6:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Muir String Quartet, November 13, 2002 [PDF]
, 2002 This is the concert program of the Muir String Quartet performance on Wednesday, November 13, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Quartet in D Major, Op. 18 No.
School of Music, Boston University
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Hearing Debussy reading Mallarmé: music "après Wagner" in the "Prélude à l'après-midi d'un faune" [PDF]
, 2001 Code, D.J.
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Markus Schwenkreis (Hg.), Compendium Improvisation – Fantasieren nach historischen Quellen des 17. und 18. Jahrhunderts (= Scripta, Bd. 5), Basel: Schwabe 2018 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2019 Lutz Felbick
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Quantitative effects of off-resonance related distortion on brain mechanical property estimation with magnetic resonance elastography. [PDF]
NMR Biomed, 2022 McIlvain G, McGarry MDJ, Johnson CL.
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