Response to Letter to the Editor: Comment on "Psychometric Performance of Clinician- and Patient-Reported Outcome Measures in Surgically Treated Thoracic Myelopathy: A Multicenter Prospective Study". [PDF]
Kato S +17 more
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Preliminary Impacts of a 3-Month School-Based Exercise and Data Recording Intervention on Lifestyle Habits, Psychological Health, and Physical Health in Japanese Adolescents. [PDF]
Kusumoto Y +5 more
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Reply to the Letter to the Editor Regarding "Age and Nocturnal Polyuria in Nocturia: A Multicenter Voiding Diary Cohort Study". [PDF]
Kawase K +15 more
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Evaluation of continuous renal replacement therapy efficacy in severe caffeine intoxication: concentration-dependent variation in caffeine clearance. [PDF]
Takeda S +6 more
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Correction to "Deep GIST: Deep Learning Models for Predicting the Distribution of Hydration Thermodynamics around Proteins". [PDF]
Fukushima Y, Yoshidome T.
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Radiation Risk Perception, Breast Cancer Anxiety, and Mental Distress among Women Who Participated in Breast Cancer Screening Programs in Minamisoma City: Five Years after Fukushima's 2011 Triple Disaster. [PDF]
Takahashi R +16 more
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Abstract In places such as Fukushima that have been contaminated after a nuclear disaster, attesting to the presence of radioactivity is a challenge for the people there, who all know that one cannot touch, nor see, nor smell it. Nevertheless, since 2011, they have had to learn how to cohabit with radionuclides by—among other means ...
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Radiocaesium in the environment of Fukushima
Annals of the ICRP, 2021It has been 10 years since the accident at Fukushima Daiichi nuclear power plant in 2011. Large quantities of 131 I, 134 Cs, and 137 Cs were released into the environment, and 80% of 137
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I recount the accident to the Fukushima Daiichi nuclear plant starting on 11 March 2011 and continuing. I highlight some system-safety aspects, and compare with an idealised 8-step process for assessing and ensuring engineeredsystem safety to see where it went wrong.
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Fukushima Audio Census (2017) is an interactive artwork designed for the CHI 2017 art program. Live audio is transmitted from strategically placed microphones in the exclusion zone of a contaminated forest located 10 kilometers from the Daichi Nuclear Power Plant in Japan.
Hill Hiroki Kobayashi +4 more
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