Results 91 to 100 of about 69,118 (254)

CENSERS FROM ZUNDA-TOLGA (REP. KALMYKIA)

open access: yesRUDN Journal of World History, 2014
Catacomb burials from Zunda-Tolga conclude censers - special ceramic vessels that become the indicator of Eastern Manych catacomb culture in the North-Western Caspian steppe.
N V Panasyuk
doaj  

Тшинецкий культурный круг — связующее звено между Балтийским и Черноморским регионами в эпоху поздней бронзы (2 тыс. до н.э.) / Tshinecs cultural circle as a link between the Baltic and Black Sea Regions in the Late Bronze Age (2nd millennium BCE)

open access: yesМатериалы по археологии и истории античного и средневекового Крыма, 2017
Tshinetsky cultural circle (TCC) is a group of related archaeological cultures of the Late Bronze Age in forest and steppe zones of Eastern Europe. It embraces the territory from the Oder River basin in the west to the Desna basin in the east, from the ...
Lysenko S.D.
doaj   +1 more source

In Defiance of a Stylistic Stereotype: British Crematoria, Architecture, Design and Landscape [PDF]

open access: yes, 2006
This paper presented a new critical reading of the crematorium, rendered ‘invisible’ by the taboo surrounding death and provided the first opportunity to disseminate this research to an international audience.
Grainger, Hilary J.
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Home‐Making Through Deathscapes or How to Circumvent the Contradictions of Nationalism: The Case of Polish Far‐Right Activists in Britain

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Using the case of Polish far‐right activists in Britain, this paper explores how migrants joining far‐right groups in countries of residence reconcile their own transnational lives with nativist attachment to the national soil. The paper adopts an anthropological framework on discursive and performative strategies used to navigate this ...
Rafal Soborski   +2 more
wiley   +1 more source

Funeral sites of the beginning of the Late Bronze age in the estuarine Trans-Kama river area

open access: yesПоволжская археология, 2015
The paper offers results of 2014 field research of the first stage of the late Bronze Age burial grounds in the Volga-Kama region –Novo-Mordovo II and Stary Kuybyshev VI.
Lyganov Anton V.   +3 more
doaj  

The Goddess: Myths of the Great Mother

open access: yes, 2016
The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in
Fee, Christopher R., Leeming, David
core  

On Taking One\u27s Daily Dip in the Font: Baptismal Piety [PDF]

open access: yes, 1981
(Excerpt) The wife of a faculty colleague of mine has a serious problem with hip deterioration. Daily she goes to the local Y for a swim. For her a pool plunge is a matter of life and health. Most baptismal fonts are much too small for such a daily dip.
Tietjen, John H
core   +1 more source

Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone

open access: yesOrbis Litterarum, EarlyView.
Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
wiley   +1 more source

THE TRANSFORMATION OF OBSEQUIES IN V. RASPUTIN'S LATE NOVELS

open access: yesВестник Кемеровского государственного университета, 2015
The relevance of the paper is associated with the motive of death, structure-directing for whole Rasputin's prose. The common notions about world order are imaged in the rite of passage, the most important rite in the funeral complex.
N. V. Kovtun, V. A. Stepanova
doaj  

Boston University Symphony Orchestra, October 2, 2012 [PDF]

open access: yes, 2012
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 2, 2012 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Volshebnoye ozero, op.
School of Music, Boston University
core  

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