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The Epilepsy of Fyodor Mikhailovitch Dostoevsky (1821–1881)
Epilepsia, 1983Summary: Over 100 years ago, on the 27th of January 1881, Fyodor Mikhailovitch Dostoevsky died. Since that time, many biographies, monographs, memoirs, and, to a lesser extent, articles in the medical literature have discussed the fact that Dostoevsky was a patient with epilepsy.
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Did Fyodor Mikhailovich Dostoevsky suffer from mesial temporal lobe epilepsy? [PDF]
SummaryMany scientific authors – among them famous names such as Henri Gastaut or Sigmund Freud – dealt with the question from what kind of epilepsy Fyodor Mikhailovitch Dostoevsky (1821–1881) might had suffered.
Christian R Baumann, Adrian M Siegel
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New Comments on the Epilepsy of Fyodor Dostoevsky
Epilepsia, 1984RÉSUMÉCompte‐tenu de données nouvellement acquises sur la sémiologie des crises épileptiques et sur le comportement intercritique de Dostoevsky, l'Auteur considère que la débat reste ouvert quant à savoir si l'écrivain souffrait d'une épilepsie généralisée primaire ou d'une épilepsie du lobe temporal.
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2005
Abstract This Casebook is a collection of interpretations of Crime and Punishment. The selection not only reflects earlier work by major critics in the field, but also more recent studies. At the same time the choice of critical approaches has been made on the basis of covering the novel’s various aspects: Dostoevsky’s debt to other ...
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Abstract This Casebook is a collection of interpretations of Crime and Punishment. The selection not only reflects earlier work by major critics in the field, but also more recent studies. At the same time the choice of critical approaches has been made on the basis of covering the novel’s various aspects: Dostoevsky’s debt to other ...
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Fyodor Dostoevsky and forensic oratory
Communication Studies, 2021G.G. Khazagerov, A.A. Bondareva
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FYODOR DOSTOEVSKY IN THE CATHOLIC WORLD: MATERIALS
2021The chapter presents different sections addressing the reception of Fyodor Dostoevsky’s work by Catholic thinkers in 20th and 21st centuries (Romano Guardini, Divo Barsotti, Luigi Giussani, partly Henri De Lubac). The aim of the work is not only to present some “Catholic” interpretations of Dostoevsky’s novels but, most particularly, to analyze them as
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