Results 11 to 20 of about 226 (125)
Tartufi di carta. Dal «mondo infero» al «postinferno»
The debut of the essay recalls, following Camporesi, the dissolution of the chthonic and infernal for the benefit of more aseptic and anemic contemporary ‘post-hell’. The work verifies the (scarce) presence of truffles in Italian literature, pursuing its
Corrado Viola
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Varietà di lingua nel romanzo di “Quer pasticciaccio brutto de via Merulana” di Carlo Emilio Gadda
This article focuses on the lexical components active in Gadda’s novel “Quer pasticciaccio brutto de via Merulana”. The novel is an exceptional example of plurilingualism, therefore Gadda mixes technical terms, literary elements, Latinisms, Greek terms ...
nagwa kassem
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Abstract In advanced cancer patients, tumor burden is calculated using the sum of the longest diameters (SLD) of the target lesions, a measure that lumps all lesions together and ignores intra‐patient heterogeneity. Here, we used a rich dataset of 342 metastatic bladder cancer patients treated with a novel immunotherapy agent to develop a Bayesian ...
Marion Kerioui +7 more
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La cognizione del discorso. Gadda e la metafora della virilità fascista
The Cognition of Discourse. Gadda and the Metaphor of Fascist VirilityIn the political analysis of the work of the Milanese writer Carlo Emilio Gadda, there is a big controversy about the fascist or antifascist status of his ideas. For a long time, Gadda
Inge Poelemans
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«No, non il caval sauro, per noi»
D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda ...
Zollino, Antonio
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Gadda, Carlo Emilio (1995) «Quell merdé hurrible de via Merulana»
Gadda, Carlo Emilio (1995) Quell merdé hurrible de via ...
Gabriella Gavagnin
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L’io dissolto. Tracce di Baudelaire in Gadda [PDF]
The relationship between Gadda and Baudelaire originates from an autobiographical identification which immediately leads to a wider ethical reflection on self-consistency.
Francesco Rivelli
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Il barocco ‘cosale’ di Carlo Emilio Gadda
In quest’articolo viene analizzato il concetto di barocco presentato da Carlo Emilio Gadda nella nota che accompagna il testo del suo ultimo romanzo: La cognizione del dolore.
Marco Carmello
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Giuseppe Episcopo, Macchine d’espressione. Gadda e le onde dei linguaggi
Review of the book Macchine d’espressione. Gadda e le onde dei linguaggi by Giuseppe Episcopo.
Massimiliano Pecora
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Decentering the Human through Narrative Forms
Decentrare l’umano tramite forme narrative. La ‘chiusura impossibile’ del Pasticciaccio di Gadda e della Trilogia dell’Area X di VanderMeer Il presente articolo si pone l’obiettivo di individuare ed esaminare le caratteristiche narrative formali ...
Santi Luca Famà
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