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Reply to Gambaro and Abaterusso
American Journal of Physiology - Renal Physiology, 2007we appreciate the praise of Gambaro and Abaterusso in their recent letter ([1][1]) regarding Worcester et al. ([2][2]) and are grateful for the opportunity to respond to their concerns. Specifically, Gambaro and Abaterusso ([1][1]) cite three “potential pitfalls” in the interpretation of ...
Elaine Worcester, Daniel Gillen
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Theater and Terrorism: Griselda Gambaro's "Information for Foreigners"
Theatre Journal, 1990Questions about the place of theater in a "well-run society," originally debated by Plato and Aristotle, take on a new meaning, as well as a special urgency, in criminal states in which theaters are bombed and spectacular acts of cruelty exceed the boundaries of the stage.
Diana Taylor
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The Penelopes Left Behind: Griselda Gambaro’sEl mar que nos trajo(2001)
Romance Studies, 2021 The novel El mar que nos trajo (The Sea that brought us, 2001), by playwright Griselda Gambaro (Argentina °1928), daughter of Italian immigrants, treats migration from a women-centred perspective.
Helena Houvenaghel
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Latin American Literary Review, 2022 This article examines the use of the grotesque in Griselda Gambaro’s play, Nada que ver, and her novel Nada que ver con otra historia. The discussion first establishes key intertextual connections between Gambaro’s work and other literary and theatrical ...
Guadalupe Gerardi
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The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento)
Theatre Journal, 2004In this one-act play, written as Argentina began to slide into a repressive dictatorship and produced just as the country was returning to democracy, Griselda Gambaro improvises on the allegorical genre so as to allow for multiple, simultaneous, interdependent perspectives on an enigmatic theatrical universe.
A. Puga
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In Defense of the Dead:Antígona furiosa,by Griselda Gambaro
Romance Quarterly, 2012This study establishes parallels between the biological fratricide in Sophocles’ Antigone and the metaphorical fratricide in Griselda Gambaro's Antigona furiosa (Buenos Aires, 1986). The article examines how in both plays Antigone seeks to defend her dead brother in her quest for closure.
N. Poulson
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Antigone in Argentina: Griselda Gambaro'sAntígona Furiosa
Text and Performance Quarterly, 1999This article examines the ways in which Argentinean playwright Griselda Gambaro re‐shapes and re‐codes the Antigone myth to comment upon the political repression Argentina faced under military Juntas which ruled and terrorized the country from 1976–1983.
J. Fleming
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Antígona entre el amor y el furor (o Griselda Gambaro ante el viejo Sófocles)
Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, 2021Antígona entre el amor y el furor (o Griselda Gambaro ante el viejo Sófocles)
S. Reisz
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