Results 111 to 120 of about 1,578 (161)
Griselda Gambaro o Modos de Hacernos Pensar en la Manzana
Revista Iberoamericana, 1970 openaire +2 more sources
De los usos y costumbres del eros en la poesía cubana del siglo XX [PDF]
, 2005 Alemany Bay, Carmen
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Los alcances y limitaciones de un discurso feminista masculino: \u3cem\u3eCon el trapo en la boca de Enrique Medina\u3c/em\u3e [PDF]
, 1990 Reati, Fernando
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Theater and Terrorism: Griselda Gambaro's "Information for Foreigners"
Theatre Journal, 1990Questions about the place of theater in a "well-run society," originally debated by Plato and Aristotle, take on a new meaning, as well as a special urgency, in criminal states in which theaters are bombed and spectacular acts of cruelty exceed the boundaries of the stage.
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Beyond words : the theatre of Griselda Gambaro
2009Griselda Gambaro is one of Argentina's most well known playwrights, whose dramatic work has made an important contribution to Latin American theatre. While she was a controversial figure of Argentina's avant garde movement of thel960's, her dramatic work has since gained the respect of her contemporaries, the admiration of audiences and the interest of
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El Erotismo Como Transgresión: "Lo Impenetrable" de Griselda Gambaro
Chasqui, 2001...eroticism is able to act as a mirror to the world by reflecting its excesses, drawing out its violence and even conferring a "spiritual" quality on these phenomena by the very fact that it puts them at the service of the senses. (Gilles Deleuze) Al hacer referencia a las diversas problematicas del campo cultural argentino durante las decadas del ...
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The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento)
Theatre Journal, 2004In this one-act play, written as Argentina began to slide into a repressive dictatorship and produced just as the country was returning to democracy, Griselda Gambaro improvises on the allegorical genre so as to allow for multiple, simultaneous, interdependent perspectives on an enigmatic theatrical universe.
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