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A novel approach for music genre identification using ZFNet, ELM, and modified electric eel foraging optimizer. [PDF]
Sci RepZhang S, Sun Z, Jafari H.
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Littérature, 2018
Suivant Simone de Beauvoir dans Le Deuxième Sexe , mais sans partager ses jugements négatifs, nous partons de l’idée que les autobiographies et les Mémoires écrits par les femmes présentent des caractéristiques spécifiques, reflétant leur condition à un moment donné de l’histoire.
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Suivant Simone de Beauvoir dans Le Deuxième Sexe , mais sans partager ses jugements négatifs, nous partons de l’idée que les autobiographies et les Mémoires écrits par les femmes présentent des caractéristiques spécifiques, reflétant leur condition à un moment donné de l’histoire.
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Genres within Genres within Genres: Nested Narrative and Metalepsis
2020This chapter explores the relationship between genre and orientation by means of studies of two films with heavily nested narratives that are distinguished by genre: Cloud Atlas (Tom Tykwer, Lana Wachowski, Lilly Wachowski, 2012) and The Forbidden Room (Guy Maddin and Evan Johnson, 2015).
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2001
Genre is a concept used in film studies and film theory to describe similarities between groups of films based on aesthetic or broader social, institutional, cultural, and psychological aspects. Film genre shares similarities in form and style, theme, and communicative function. A film genre is thus based on a set of conventions that influence both the
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Genre is a concept used in film studies and film theory to describe similarities between groups of films based on aesthetic or broader social, institutional, cultural, and psychological aspects. Film genre shares similarities in form and style, theme, and communicative function. A film genre is thus based on a set of conventions that influence both the
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Genre, Genres, and the Teaching of Genre
College Composition and Communication, 1996Amy J. Devitt +4 more
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Working Genre / Genre à l’œuvre
2014Friday, May 24 • 2:45pm - 4:15pm Session 8A: Working Genre / Genre à l’œuvre 1.Daniel Stadnicki (University of Alberta), Ideal Time: Rhythm as Incentive. 2.Alan Stanbridge (University of Toronto), All the Rest is Propaganda: Jazz, Class, and Race in British New Wave Cinema.
Stadnicki, Daniel +2 more
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