Results 171 to 180 of about 550,904 (215)
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2016
Derives a general theory of genre from analysis of the genre I call “minor-character elaboration.” It argues that genre should be studied and understood along three intersecting axes: as a practice of formal reiteration and variation, as a shared social practice that conveys the cultural logic of a particular historical moment, and as a technology that
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Derives a general theory of genre from analysis of the genre I call “minor-character elaboration.” It argues that genre should be studied and understood along three intersecting axes: as a practice of formal reiteration and variation, as a shared social practice that conveys the cultural logic of a particular historical moment, and as a technology that
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Postscript: Futures for Genre Studies
2016Each chapter in the book has advanced different key issues for genre theory. Increasingly interdisciplinary, genre theory promises to be an important critical theory for exploring new media environments. The rhetorical, linguistic, and semiotic grounding of many of these perspectives offers a fresh import to new media studies by way of their ...
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Understanding Rhetoric, Understanding Genre: A Rhetorical Genre Studies Approached Writing Course
2017In this chapter, Austin foregrounds the concept of genre in the college writing classroom, expanding her scope beyond the traditional rhetoric of argument and persuasion central to most first-year writing courses. In doing so, she mobilizes an invitational rhetoric tradition, which Sonja J. Foss, and Cindy L.
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Teaching and Researching Genre Knowledge: Toward an Enhanced Theoretical Framework
Written Communication, 2020Jeroen Gevers
exaly
2009
Current theories of genre based in action neglect form. While recognizing that genre study needed to reject earlier formalism, this chapter argues that genre necessarily encompasses form as part of the fusion of form, substance, and action and should be re-examined as contextualized form.
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Current theories of genre based in action neglect form. While recognizing that genre study needed to reject earlier formalism, this chapter argues that genre necessarily encompasses form as part of the fusion of form, substance, and action and should be re-examined as contextualized form.
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