Results 31 to 40 of about 15,436 (171)

Flap Anatomies and Victorian Veils: Penetrating the Female Reproductive Interior

open access: yesGender &History, EarlyView.
ABSTRACT This article examines the reappearance in the early nineteenth century of anatomical flapbooks in the context of obstetrical education in Britain, America and France. It asks why liftable paper flaps were reintroduced at this time after their disappearance from medical atlases in the eighteenth century.
Margaret Carlyle, Marcia D. Nichols
wiley   +1 more source

Ethical Anachronism. History, Space-Time and Image in the Thought of Didi-Huberman and Benjamin [PDF]

open access: yes, 2019
Indexación: Revista UNAB.Tomando como pretexto una de las sentencias de Heráclito de Éfeso, el ensayo pretende problematizar el vínculo entre la ética y la historia, esto al incrustar en la disyunción entre tales nociones el concepto de anacronismo ...
Hernández Cuevas, Luis Armando
core  

L’image récréative: des photos fantaisistes aux jeux virtuels [PDF]

open access: yes, 2011
L’article qui suit est une tentative d’éclaircir l’idée d’image récréative, en l'exemplifiant à partir de la photo fantaisiste et des jeux vidéo. L’image récréative est corrélative aux transformations dans la notion d’image diagnostiquées par Walter ...
Correia, Maria da Luz
core   +1 more source

Volumetric mediations: Atmospheres of crisis and unbelonging in humanitarian drone documentaries

open access: yesArea, Volume 58, Issue 1, March 2026.
Short Abstract This paper contributes to scholarship on drones’ more‐than‐military realms as they pertain to the atmospheres they create in visual culture. Focusing on two humanitarian drone documentaries, Ai Weiwei's Human Flow (2017) and Morgan Knibbe's Those Who Feel the Fire Burning (2014), I examine how their drone cinematography visualises the ...
Beryl Pong
wiley   +1 more source

Les études visuelles et le tournant iconique [PDF]

open access: yes, 2008
Comment l’étude d’une culture visuelle peut-elle répondre à l’intérêt croissant porté à la « présence » de l’image ? Ce souci phénoménologique pour la capacité de l’objet à déterminer sa propre réception ne pourrait-il pas s’associer à ...
Moxey, Keith
core   +1 more source

En torno a las imágenes del horror. Montaje del conocimiento en Tierra sin pan y Noche y niebla [PDF]

open access: yes, 2016
A través del análisis de Tierra sin pan (Buñuel, 1933) y Noche y niebla (Alain Resnais, 1955), las siguientes páginas tienen como finalidad discutir el valor de uso de las imágenes del horror en ejercicios de “montaje del conocimiento”.
Montero Sánchez, David
core  

La somiglianza per nebbia, o il risonatore psichico dell’«immagine-Milieu»

open access: yesRivista di Estetica, 2016
An analysis of Ejzenštejn’s film Battleship Potemkin – and particularly of the scene of the funereal lamentation performed by the people of Odessa around the corpse of the sailor Vakulinčuk – gives opportunity to reflect upon a fundamental dialectical ...
Georges Didi-Huberman
doaj   +1 more source

Verdad, narrativa audiovisual y periodismo: una aproximación crítica desde la Filosofía [PDF]

open access: yes, 2017
Our paper tries to consider the way in which the contemporary philosophy has propose a debate between the relations of audiovisual journalism and the nature of truth of the images. For that, we defend that we can trace a process between the questioning
Rodríguez Serrano, Aarón
core   +3 more sources

Sit venia verbo: A case for dermacriticism

open access: yesOrbis Litterarum, Volume 79, Issue 5, Page 449-471, October 2024.
Abstract This article introduces the term “skinnedness” as a complementary notion to what we commonly refer to as skin. The term allows for a fundamental conceptual discussion that brings together human skin, animal skin, and other types of organic or artificial skin, such as fruit skin or the soft outer layer of a doll.
Irina Hron
wiley   +1 more source

Anacronismo, dialéctica y sublevación. O de cómo pensar la imagen a contrapelo

open access: yesRevista de Filosofía Universidad Iberoamericana, 2021
Georges Didi-Huberman piensa la historia en articulación con su conceptualización de la imagen desde diversas perspectivas (Warburg, Freud, Bataille, entre otros).
Natalia Taccetta
doaj   +1 more source

Home - About - Disclaimer - Privacy