Results 11 to 20 of about 599 (214)
Revista de Filología Románica, 2017 German writers who arrived in exile to Mexico succeeded in founding a publishing house, a theater club, cultural associations and some newspapers and journals.
Teresa Cañadas García
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Un nuovo sguardo dalla (e sulla) letteratura tedesca contemporanea: l'Adelbert-von-Chamisso-Preis
Altre Modernità, 2015 The Adelbert-von-Chamisso-Preis is a literary prize awarded by the Robert Bosch Stiftung to non-German authors who write in German and chose this language as their form of expression. Since the first prizes were awarded in 1985, 65 writers from more that
Ramona Pellegrino
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Литература двух Америк, 2020 The article examines the meeting of the “Group 47” at Princeton University (USA), organized by Victor Lange in 1966, the background to this trip, and the interaction between German and American writers in the 1960s. Despite the protests of the writers of
Evgeny A. Zachevsky
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East German writers and the state [PDF]
Index on Censorship, 1982 Lutz Rathenow has the dubious distinction of being the first East German writer to have been arrested for the crime of publishing a book abroad. His brief imprisonment in December 1980, under the laws enacted that same year, was based on his publishing a group of stories, Mit dem Schlimmsten wurde schon gerechnet (‘Prepared for the Worst’) with the ...
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Literární vícejazyčnost a sebepřeklad. Aspekty jednoho fenoménu exilové německojazyčné literatury po roce 1933 [PDF]
Slovo a Smysl, 2020 German and Austrian writers exiled by the Nazi regime had to deal not only with forced exclusion from what had been to that point a clearly defined cultural sphere — one, moreover, in which they had achieved a certain success in various fields of ...
Primus-Heinz Kucher
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Haunted Encounters: Exile and Holocaust Literature in German and Austrian Post-war Culture
Religions, 2012 In an essay titled ‘The Exiled Tongue’ (2002), Nobel Prize winner Imre Kertész develops a genealogy of Holocaust and émigré writing, in which the German language plays an important, albeit contradictory, role.
Birgit Lang
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THE CHARACTER OF THE COLLECTOR AS A CREATIVE SUBJECT IN THE GERMAN AND RUSSIAN NOVELS AFTER 1980
Филологический класс, 2019 The article deals with the actual problem of creative subject in the field of literary postmodernism, which solves the problem of self-identification. The postmodern “fragmented” subject is in the situation of “I-searching” in the “self-collection”.
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Choice of Language and the Quest for Israeli Identity in the Works of Tuvia Ruebner and Aharon Appelfeld [PDF]
Polish Political Science Yearbook, 2018 Immigration highlights the question of language and raises the dilemma of the relationship between the mother tongue and the language of the new land. For writers this question is even more crucial: should they write in the language of the place and its ...
Michal Ben-Horin
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Филологический класс, 2019 Contemporary intermedial studies of belles-lettres focus on the interaction between literature and music, yet do not pay significant attention to the differentiation of music genres that literature refers to.
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The Politics of Prophecy: Reformation Memory and German Exceptionalism in Weimar Thought
Australian and New Zealand Journal of European Studies, 2021 In the German-speaking world, the memory of the Reformation has often been closely connected to the theory of German historical exceptionalism, the idea that Germany’s historical development took a ‘special path’ (Sonderweg) to modernity. Yet considering
Cat Moir
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