Results 21 to 30 of about 31,094 (217)
This article aims to analyze Gertrude Stein’s libretto, “Four Saints in Three Acts” through the perspective in Picasso’s cubist landscape paintings.
Zeynep Erdal, Aslıhan Ünlü
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Review of Mary McAuliffe. Twilight of the Belle Epoque: The Paris of Picasso, Stravinsky, Proust, Renault, Marie Curie, Gertrude Stein, and Their Friends through the Great War . Lanham, MD: Rowman and Littlefield. 2014. vii + 418 pp.
Eric Martone
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Duncan’s Stein Writings: Derivation and Logopoeia
This article begins by considering Duncan’s Stein writings as a criticism of highly invested modernist suppositions regarding originality and mastery, these latter exemplified by Wyndham Lewis’s view of Hemingway as castrated and belittled by his ...
Daniel Katz
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Gertrude Stein’s “Historic Drama” (1930)
This paper is an analysis of Gertrude Stein’s staging of the dialectic between the past and the present in her 1930 “Historic drama” trilogy published in Last Operas and Plays.
Emeline Jouve
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Pablo Picasso and Gertrude Stein. Correspondence
Fragmentation, dissection, explosion: how to characterize the most influentially innovative art—be it theatre, music, literature or painting—of the twentieth century’s first half depends on which artistic formation one has in view and how violent or ...
Charles Reeve
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20th Century Two Poetic Paradoxes: Gertrude Stein vis-a-vis Alexey Kruchenykh [PDF]
In this article, we will begin with two almost simultaneously written paradoxes of modernism / avant-garde. The first paradox is Gertrude Stein’s miniature “Sacred Emily”, a one-line poem that reads “Rose is a rose is a rose”.
Anna V. Shvets
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Un arte con machete. Comentario sobre la obra de Alonso Jiménez
Con Alonso Jiménez hemos podido conversar sobre la anécdota que trae Umberto Eco a propósito del retrato que le realiza Pablo Picasso a la poeta estadunidense Gertrude Stein. Terminando el retrato, un observador lo increpa y le dice: “Pero no se parece”,
Miguel Gutierrez-Peláez
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C. S. Peirce and Intersemiotic Translation [PDF]
Intersemiotic translation (IT) was defined by Roman Jakobson (The Translation Studies Reader, Routledge, London, p. 114, 2000) as “transmutation of signs”—“an interpretation of verbal signs by means of signs of nonverbal sign systems.” Despite its ...
Aguiar, Daniella, Queiroz, Joao
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In questa conversazione si intende contestualizzare il lavoro sperimentale di Gertrude Stein all’interno del dibattito sul significato di modernismo e delle sue trasformazioni nel ventunesimo secolo, soprattutto alla luce della crescente affermazione ...
Filomena Mitrano, Marina Morbiducci
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Experimentalism by contact [PDF]
This essay considers literary "experimentalism" as a constructed category animated by epistemic virtues, using the case study of "contact" as both anthropological and literary values in the 1920s.
Cecire, Natalia
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