Results 21 to 30 of about 502 (177)
Pablo Picasso and Gertrude Stein. Correspondence
European Journal of Life Writing, 2020 Fragmentation, dissection, explosion: how to characterize the most influentially innovative art—be it theatre, music, literature or painting—of the twentieth century’s first half depends on which artistic formation one has in view and how violent or ...
Charles Reeve
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Un arte con machete. Comentario sobre la obra de Alonso Jiménez
Avances en Psicología Latinoamericana, 2016 Con Alonso Jiménez hemos podido conversar sobre la anécdota que trae Umberto Eco a propósito del retrato que le realiza Pablo Picasso a la poeta estadunidense Gertrude Stein. Terminando el retrato, un observador lo increpa y le dice: “Pero no se parece”,
Miguel Gutierrez-Peláez
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Ticontre: Teoria Testo Traduzione, 2023 In questa conversazione si intende contestualizzare il lavoro sperimentale di Gertrude Stein all’interno del dibattito sul significato di modernismo e delle sue trasformazioni nel ventunesimo secolo, soprattutto alla luce della crescente affermazione ...
Filomena Mitrano, Marina Morbiducci
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Landscape as Operational Notion in the Performing Arts
Revista Brasileira de Estudos da Presença, 2021 This essay aims to trigger the landscape as an operational notion in the Performing Arts. It reflects the landscape of Gertrude Stein theater as a paradigm for a scene architected from a co-relational way.
Maurílio Bertazzo Schuquel
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A Paisagem como Noção Operacional em Artes da Cena
Revista Brasileira de Estudos da Presença, 2021 Este ensaio objetiva problematizar a paisagem como noção operacional em Artes da Cena. Reflete-se sobre a paisagem no teatro de Gertrude Stein como paradigma para uma cena arquitetada desde uma forma correlacional. Depreende-se, então, que a paisagem na
Maurílio Bertazzo Schuquel
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O teatro de Gertrude Stein: ultrapassando os limites da linguagem e da tradução
Aletria: Revista de Estudos de Literatura, 2016 Este artigo foi realizado pensando na tradução do teatro da autora norte-americana Gertrude Stein (1874-1946), mais especificamente nas traduções de seus textos poéticos, com o objetivo de mostrar a importância de considerar, no processo de tradução, não
Vanessa Geronimo
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Gertrude Stein et l’écriture des voix
Sillages Critiques, 2013 This article offers a few questions and hypotheses on the relationship between writing and voice in Gertrude Stein’s research. Through a brief comparison between the American author’s poetics and the experiments that gave way to the earliest audio ...
Cristina De Simone
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Text as tape: On the voice in the late prose of Friederike Mayröcker
Orbis Litterarum, Volume 81, Issue 3, Page 248-270, June 2026.Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
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“The Difference” of Objects “Is Spreading”: A Non‐Anthropocentric Reading of Tender Buttons
Literature Compass, Volume 23, Issue 2, April/June 2026.ABSTRACT This article discusses the nonreferentiality of both language and the object in Gertrude Stein's Tender Buttons through an analysis of “Book.,” a section of the chapter “Objects.” While the inaccessibility of Tender Buttons is well known due to Stein's linguistic experimentalism, the objects presented as section titles also challenge ...
Joon Ho Hwang
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Molecular Ecology, Volume 35, Issue 6, March 2026.ABSTRACT Crassulacean acid metabolism (CAM) is a water‐efficient photosynthetic strategy involving a coordinated suite of complex traits including metabolic, anatomical and regulatory aspects that shift across the diel cycle. While CAM has evolved repeatedly in land plants, the evolutionary routes enabling this convergence remain elusive.
Clara Groot‐Crego +9 more
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