Results 1 to 10 of about 1,429 (165)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2022 Термин Gesamtkunstwerk регулярно встречается в комментариях критиков и исследователей, пытающихся подобрать адекватную концептуальную рамку для произведения Ильи Хржановского.
Alexandre Zaezjev
doaj +2 more sources
Cogent Arts and Humanities, 2023 The nineteenth-century principle of Gesamtkunstwerk was inseparably linked to the interwar avant-garde, as indicated in a plethora of manifestos and programmatic writings published in periodicals such as De Stijl, 7 Arts and Blok.
Michał Wenderski
exaly +3 more sources
Wagnerian Contexts and Wagner’s Codes of T.S. Eliot’s Poetry, 1910-20s [PDF]
Литература двух Америк, 2021 The paper deals with the analysis of reception and poetic transformation of aesthetic concepts and music ideas of Richard Wagner (1813–1883) in the works by T. S. Eliot (1888–1965).
Olga M. Ushakova
doaj +1 more source
»Lost« »Beyond« »Improvisation«. Bericht von musiktheoretischer Partizipation an drei künstlerischen Promotionsvorhaben [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2022 Das Fach Musiktheorie (Tonsatz, historische Satzlehre) kann sich in Artistic Research mit den drei Profilen des Fachs einbringen: dem künstlerischen, dem wissenschaftlichen und dem pädagogischen.
Gesine Schröder
doaj +1 more source
DESIGN ELEMENTS IN ANTHOLOGICAL ZAGREB BUILDINGS [PDF]
e-Zbornik. Elektronički Zbornik Radova Građevinskog Fakulteta, 2022 The design elements which appear in the architecture of ten anthological buildings from the 1930s in Zagreb by prominent protagonists of modern architecture, besides being modern, also have a classical morphology, which marks the continuity of a ...
Cela Matan
doaj +1 more source
Total Artwork: Wagner's Philosophies on Art and Music in the Ring Cycle
Musical Offerings, 2022 Richard Wagner is one of the most renowned composers of the Romantic period, due to his intensely emotional music, captivating operatic plots, and his unique idea to combine visual art, vocal music, and instrumental music in an unprecedented way.
Soraya Peront
doaj +1 more source
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART
German Life and Letters, Volume 76, Issue 3, Page 410-430, July 2023., 2023 Abstract Navid Kermani's and Feridun Zaimoglu's engagements as Muslims with Christian art reveal the possibilities and limitations of aesthetic experiences of the divine beyond all doctrinal divides. Although Kermani's own research into the aesthetic dimension of Islam highlights the potential for art to offer spiritual insight, his rejection of some ...
Joseph Twist
wiley +1 more source
Voicing the Queer Self: Listening to Portraits with Vernon Lee
Art History, Volume 46, Issue 3, Page 428-457, June 2023., 2023 Originating in a critical examination of Vernon Lee's perceived ugliness and her excessive talking among her acquaintances, this essay situates historically a series of portraits in which she features as a sitter, subject of comment and commentator, to suggest that the interweaving of voices and faces can be useful to resist the elision of seeing and ...
Francesco Ventrella
wiley +1 more source
Научный диалог, 2023 The question of the formation of a new type of creator-demiurge in the conditions of culture at the turn of the 19th—20th centuries is considered. Particular attention is paid to the personality of the Czech artist Josef Váchal.
D. A. Zudina, T. A. Sharypina
doaj +1 more source
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ
German Life and Letters, Volume 75, Issue 3, Page 378-393, July 2022., 2022 ABSTRACT The article uses the contrast between Heinrich Heine and Tolstoyʼs descriptions of Napoleon to explore the paradigm shift from artistic to political figures in nineteenth‐century models of genius. Departing from a brief sketch of five fundamental elements of eighteenth‐century genius aesthetics, it outlines how poetic genius (personified by ...
Jan Niklas Howe
wiley +1 more source