Results 11 to 20 of about 1,678 (169)
«Io ho bisogno di animali teatrali»
Mimesis Journal, 2018 «It is not enough that they sing well [...]. I need theatrical animals». So, Giorgio Strehler, in 1997, gave indications to the musicologist Carlo de Incontrera for the distribution of Così fan tutte, a production that in his own mind should have marked
Matteo Paoletti
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Mimesis Journal, 2017 Taking into account documentary sources and new oral sources expressly created, the article reconstructs and analyses Splendore e morte di Joaquín Murieta by Pablo Neruda, directed by Patrice Chéreau in 1970 at Piccolo Teatro di Milano.
Livia Cavaglieri
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Il teatro greco sulla scena italiana. La linea Ronconi-Castri
Il castello di Elsinore, 2016 The paper aims to analyze the relationship between Greek theatre and Italian mise-en-scène. Roberto Alonge examines two examples of two more important directors, Luca Ronconi and Massimo Castri (as everybody knows, Giorgio Strehler never was interested ...
Roberto Alonge
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Three Italian practitioners seeking a more popular audience for Shakespeare
Altre Modernità, 2017 My contribution, "Seeking a More Popular Audience for Shakespeare in Italy", starts by pinpointing the differences between Italy and the UK in the history of the staging of Shakespeare's plays and goes on to provide a brief account of the evolution of ...
Margaret Rose
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Polemiche sopra i due massimi sistemi: Galileo e il Piccolo Teatro
Antropologia e Teatro, 2017 The paper, based on phd dissertation about the relationship between Piccolo Theatre of Milan and local audience community, analyzes the debate rised by catholics politicians around the show Life of Galileo (1963), on the most important italian newspapers
Sara Colciago
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Ludovico Zorzi. Profilo di uno studioso inquieto
Drammaturgia, 2014 The works of one of the most authoritative historians and insightful critics in Early Modern theatre studies, are reappraised here in the light of both co-textual and contextual evaluations, as well as on the basis of updated methodological knowledge.Le ...
Stefano Mazzoni
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, 2017 Lector de Pierre Bourdieu se bien las seducciones y trampas de la ilusión biográfica. Escribir recuerdos personales es siempre (conscientemente o no) plasmar una representación de si mismo que construye un pasado deseado, imaginado, que no corresponde ...
Chartier, Roger
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Ascanio Celestini: la memoria del padre y de la abuela [PDF]
, 2016 En el presente texto, Massimo Puliani traza un conciso perfil de Ascanio Celestini, centrándose especialmente en la producción del ecléctico actor y director Ascanio Celestini en la que la memoria desempeña un papel fundamental, como en sus espectáculos ...
Puliani, Massimo
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Die Macht der OhnMächtigen : über Konversionen der Leidenschaft beim Spiel im Spiel und die Rolle des Regietheaters ; Vortrag im Rahmen der Salzburger Festspieldialoge am 12. August 2009 [PDF]
, 2010 Mit dem Motto »Das Spiel der Mächtigen« haben die Salzburger Festspieldialoge 2009 einen Titel aufgegriffen, den ursprünglich Giorgio Strehler für seine Inszenierung von William Shakespeares Königsdramen gewählt hatte, die 1973 bei den Salzburger ...
Gutjahr, Ortrud
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Berliner Ensemble 1957 – Piccolo Teatro 1963. Science in the reception of Brecht’s "Galileo" as from the press reviews on both stagings (Italian original version) [PDF]
JCOM: Journal of Science Communication, 2006 The article reports the outcome of an analysis of the reception of Bertolt Brecht’s play, "The Life of Galileo", as presented by Giorgio Strehler (Milan, 1963) and Brecht himself in collaboration with Erich Engel (East Berlin, 1957), carried out on ...
Francesco Cuomo
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