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1985
Jean Giraudoux’s plays in general, and Ondine and The Madwoman of Chaillot in particular, are mythical in dimension; universal in scope. Implicit in his works is the nobility and depth of Greek theatre; the structure, imagistic vocabulary, and rhythmic pace of French classical drama. Theatre, for Giraudoux had a historical and social mission: it was an
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Jean Giraudoux’s plays in general, and Ondine and The Madwoman of Chaillot in particular, are mythical in dimension; universal in scope. Implicit in his works is the nobility and depth of Greek theatre; the structure, imagistic vocabulary, and rhythmic pace of French classical drama. Theatre, for Giraudoux had a historical and social mission: it was an
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2016
Depuis 1972, les Cahiers Jean Giraudoux ont pour vocation de faire mieux connaître Giraudoux, par la publication de documents inédits et d’études scientifiques sur son œuvre.
Brémond, Mireille, Patierno, Alvio
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Depuis 1972, les Cahiers Jean Giraudoux ont pour vocation de faire mieux connaître Giraudoux, par la publication de documents inédits et d’études scientifiques sur son œuvre.
Brémond, Mireille, Patierno, Alvio
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Ondine's curse: With Jean Giraudoux's finishing touches
Journal of the History of the Neurosciences, 2017Monday February 12, 1883, Vendramin-Calergi Palace, Venice:In an apartment rented by Duke della Grazia, the fourth of that line,1 1 Maria Adinolfo Leopoldo Antonio Ettore (1840–1911), fourth Duke d...
Régis, Olry, Duane E, Haines
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La rue Jean-Giraudoux aujourd’hui
2023Following a reading of André Beucler’s text on Rue Jean Giraudoux (formerly Rue Pauquet), the author, drawing on memories of Beucler’s writing, takes us on a tour of the street as it is today.
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Cahiers Jean Giraudoux Jean Giraudoux et le cin��ma. 2021, n�� 49
2021Contributeurs : Pierre d' Almeida, Annie Besnard, Nicolas Boscher, Mireille Br mond, Aude Catteau-Sainfel, Marta Colleoni, Francesca Fichera, Nektarios-Georgios Konstantinidis, Alvio Patierno, MariaCristina Pedrazzini, Anne-Marie Pr vot, Philippe Ribette et Vincent Zeis.
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The Tulane Drama Review, 1959
Fortunate are those young men who have had masters!Fortunate are the nervous youngsters who went and rang doorbells and received with flushed faces the encouraging word from the man whom they admired!I grew up without any masters; in the years around 1928, I had a warm place in my heart for Claudel and I carried dog-eared copies of Shaw and Pirandello ...
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Fortunate are those young men who have had masters!Fortunate are the nervous youngsters who went and rang doorbells and received with flushed faces the encouraging word from the man whom they admired!I grew up without any masters; in the years around 1928, I had a warm place in my heart for Claudel and I carried dog-eared copies of Shaw and Pirandello ...
openaire +1 more source