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Corpos negros no cinema de Glauber Rocha
Revista Científica/FAPA tese de José Elenito Teixeira Morais — “Corpos negros no cinema de Glauber Rocha” — investiga a representação dos corpos negros no cinema de Glauber Rocha, com ênfase em Barravento (1962) e A Idade da Terra (1980). A problemática central buscou desvendar como Glauber articula um discurso visual crítico, elevando esses corpos de objetos de exclusão a ...
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An Intermedial Reading of Glauber Rocha's Cosmogony
Even though Brazil and national identity have always been the focus of Rocha’s films, they are also attempts at universalising the national experience into the condition of the entire Earth. This is notably the case in what became known as his ‘trilogia da terra’, or ‘Earth trilogy’, including the aforementioned Deus e o diabo na terra do sol and Terraopenaire
The Way to Make a Future: A Conversation with Glauber Rocha
Film Quarterly, 1970Gordon Hitchens, Glauber Rocha
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