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Journal of Religion & Health, 1989
All perception and judgment are to some extent the reflection of who we are. Our picture of God, too, is a product of the cave into which we were born. Acknowledging this is an antidote to one form of idolatry-the worship of our symbols for God. This confession that our pictures never perfectly reflect God does not mean, however, that we cannot give ...
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All perception and judgment are to some extent the reflection of who we are. Our picture of God, too, is a product of the cave into which we were born. Acknowledging this is an antidote to one form of idolatry-the worship of our symbols for God. This confession that our pictures never perfectly reflect God does not mean, however, that we cannot give ...
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2016
This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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2019
Milton’s confidence in his powers of poetic sublimity seemingly falters when rendering divine speech. Evidently “in order to adequately discuss the transcendent quality of divinity, Milton’s grammar [particularly regarding verb tenses] must become strange or go (artfully and deliberately) awry.”
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Milton’s confidence in his powers of poetic sublimity seemingly falters when rendering divine speech. Evidently “in order to adequately discuss the transcendent quality of divinity, Milton’s grammar [particularly regarding verb tenses] must become strange or go (artfully and deliberately) awry.”
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This chapter analyzes the religious symbolism and antigovernment sentiment that converged during the January 6, 2021, Capitol insurrection and explores its roots in the broader cultural significance of guns in the United States. It looks at the infamous prayer by Jake Angeli, the “QAnon Shaman,” whose rhetoric and attire reflected a fusion of ...
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