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2020
Whether Augustine is eager to increase knowledge of God in his “Confessions,” to refute heterodox ideas – even ideas that he himself once espoused – about God the creator of matter, space, and time, or whether his aim is to heighten a particular awareness of God, he always tries to convince his readers that God is present in creation and in themselves (
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Whether Augustine is eager to increase knowledge of God in his “Confessions,” to refute heterodox ideas – even ideas that he himself once espoused – about God the creator of matter, space, and time, or whether his aim is to heighten a particular awareness of God, he always tries to convince his readers that God is present in creation and in themselves (
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Heidelberg Journal of Religions on the Internet, 2015
Online - Heidelberg Journal of Religions on the ...
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Online - Heidelberg Journal of Religions on the ...
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Ajax's Gods and the Gods of Sophocles
L'antiquité classique, 1980Divine and semi-divine beings permeate Sophocles' plays. The whole roster of Olympian deities is frequently named ; nameless theoi and daimones are often invoked by his characters ; the efficacy of oracles seems to be taken for granted. Of greater significance, however, are the pervasiveness of such pre-Olympian abstractions as Aidos, Tyche, Dike and ...
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The God of Religion and the God of Philosophy
Royal Institute of Philosophy Lectures, 1968In several great religions God is thought of as an agent or active individual exalted in principle above other agents, the supreme creative and controlling power. But, however exalted, the deity is still, in spite of what Tillich and others say, an individual being, somehow analogous to a human person.
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Morpheus, God of Sleep or God of Death?
American Heart Journal, 2005Contains fulltext : 48862.pdf (Publisher’s version ) (Closed access)
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Signs in the Gods, Gods in the Pots
2018Reviewing ongoing debates about the origins of image worship in the study of Hinduism, this chapter investigates the transfer of the Vedic-astrological royal cult to the Hindu cult of the image, through an analysis of some of the earliest available ritual prescriptions for image installation (pratiṣṭhā) and image worship (pūjā). It reviews our earliest
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